In Miami, I was studying improv as well as acting. Improv is a great tool to have, just for the comedic timing that you get. When I moved to L.A., I started taking classes with The Groundlings, and I loved it. I'm definitely in love with improv and c...
When the target audience is American teenage kids, you can have problems. My generation prized really fine acting and writing. Sometimes you have to go back to the basic principles which underpin great visual comedy.
I'm a 'Bridesmaids' type of girl. I love silliness. That's who I am at heart, and I know I can do it. If my career path takes me elsewhere, that's great. But comedy is my forte.
I know how to play comedy when it's needed. So even when it's really not there, my facial expressions are really great. I have a lot of facial expressions in my face, you know.
I'm interested not just in projects that I'll be starring in, but producing film and TV that's really quality and great for adults; and when I say 'great for adults,' it doesn't mean without humor, because I'm also interested in doing comedy.
I went to a performance-art high school, and a teacher there was signing me up for open-mic nights at the comedy club. I think about it now, and I think, 'Well, that may be inappropriate,' but it was great!'
Comedy to the Senate? Well, there certainly hasn't been a satirist or a political satirist who's done that. So, that really was uncharted territory during the campaign. But I think it's a good thing. Some people thought that it was an odd career arc,...
I'd love to do a romantic comedy. And perhaps, if the character was right and I had a good gut instinct, a Bollywood movie. And I'd love to direct. One day. I'm learning a lot on the set of 'The Good Wife.'
I think hip-hop does a very good job of infusing comedy and humor and wit into music, a lot more than other genres.
I was lucky to start working when German cinema was having an interesting moment. Now the quality is going downhill again because they're insisting on doing comedies. We should know by now that we make good cars but we're not the funniest people.
I did a 'Golden Girls' once, which shot in front of an audience, and that went well. I had a good time. But I need an audience, for comedy at least.
I just want to be with great teachers. If that means I'm in a horror film with good teachers, I'll do another horror film. But I would love to branch out and do more comedy or just more straight dramas.
I guess I'm sort of spoiled because, most of the things that I get to do, people know that you're a good improviser, so they allow you at least one improv take, and for comedy, that's great.
I'm drawn to a good story, really, as I hope most people are. For me, it's the story that's going to stay with you eventually, not necessarily the genre. I go to watch a film because of the story, not because it was a Western or a comedy.
The script for 'Infamous' was so poised between tragedy and comedy. It's a dream part. One reads those scripts with a sense of melancholia. When you read a script that good... I remember thinking, 'Oh, this script is too good. They'll never give it t...
Comedy has to be done en clair. You can't blunt the edge of wit or the point of satire with obscurity. Try to imagine a famous witty saying that is not immediately clear.
Comedy was the key to everything. I grew up fast and controlled my future by bringing it on faster than it naturally unfolded. I cheated myself out of a childhood but then got a running headstart into adulthood that no one else could keep up with.
When someone can, on a worldwide level, make someone laugh, that's power. A lot my heroes - Eddie Murphy, Will Ferrell, the Wayans, Adam Sandler - they get it. And I've always felt that Andy Samberg is the future of comedy.
Anyone who thinks they can write the perfect comedy that everyone will love is a fool. I can only write what I think is funny and hope that there is a likeminded audience out there.
I'm doing a pilot for Comedy Central with the band Steel Panther. They're faux heavy metal. They started as kind of a tribute band out here, or a cover band, and they're funny guys, and they just sort of morphed into their own thing.
The American audience has really opened up to women being A.) funny and B.) kinda crude. 'Bridesmaids' is R-rated, and I think it was a major coup for women to have an R-rated comedy that did really well. Same as 'Bad Teacher.'
