I'm kind of obsessed with food. I like to eat. When I tour, it's like, well, like a food tour as much as a comedy tour.
My family's always been really funny. I feel like comedy's hard. I feel like it's so important.
I'm a storyteller: the crux of the matter is to reach beauty, poetry; it doesn't matter if that is comedy or tragedy. They're the same if you reach the beauty.
I think I would do a much better job if I had a chance to do things that were edgier than I get to do in comedies.
I didn't know I was cool, but I was very flattered that some of the younger comedy writers came up to talk to me at the Emmys. I found that gratifying.
You can think of Hollywood as high school. TV actors are freshmen, comedy actors are maybe juniors, and dramatic actors - they're the cool seniors.
I would like to explore comedy more. It's not something that I've done a lot of. Obviously, I'm very at home in drama. I like everything.
Let's not call physical comedy falling down and pratfalls. All humor is physical, no matter how you dish it out. It's timing, like a dancer or an athlete would have.
I've been in the director's chair for 'Battlestar Galactica' since its first season. I directed the only comedy that's ever been done in Galactica history.
I feel reviewers are tougher on comedies in general. They don't take them seriously, and the ones that get great reviews are not necessarily the ones that I like.
As for Tenacious D, of course it could work as a full length movie; all it requires is a great writer and great director with an ability to think outside of conventional film comedy.
Not everyone can be as successful a performer as myself, who gave 10 great performances the first time I ever did comedy, and then toiled in obscurity for years.
I feel like I share a great relationship with my audience where they trust my judgment and choice of films and sense of comedy.
I want to do comedy films, serious films - I admire the actors who fly under the radar but get loads done, pop up in a lot of good films.
Only really good comedies and really good horror movies get a verbal response out of the audience. People will scream. People will laugh.
I like comedies, I like thrillers, I like love stories. Everything is beautiful; it depends if the film is good, who cares? Everything is interesting.
'King of California' was just, I thought, a really great, fresh, original kind of script. I loved the tone, the mix of tragedy, comedy, and drama, and that it was a good part.
Well, being a Canadian, I love SCTV, and I think it's the basis for all good North American comedy, so I compare everything to that.
I told my agents that I love Holly Hunter and Frances McDormand and all of these women that are good at doing comedies as well as dramas.
With 'Attachments,' my goal was to write a really good romantic comedy. I wanted the reader to be smiling throughout.
It seems like when I first started, people got into comedy because they wanted to be good comedians.
