I guess as you get older you sort of see the mechanics, even with the best comedians. There's admiration for people I admire, but it's not guttural laughter. It's a wry 'Oh, well done, sir.' But I sort of miss that slightly; I miss the raw joy of com...
I came from the Groundlings Theatre in L.A., and there, you're guaranteed to at least try something out in front of an audience. At 'SNL,' only the best stuff gets picked, and it's taught me a very defined language of comedy. You learn the structure ...
I set out to do a horror film with 'Dog Soldiers,' and what I came out with at the end of the day was something that was more of a cult movie, more of a black comedy with some horror elements in it. It kind of went over the top.
I recently finished a job, an HBO movie 'Getting On,' a very dark comedy. It comes from a British series of the same name. In this role I have no hair, no make up and no nails. I play a very small role; she is not over the top and sassy.
The dueling maturity levels in high school is such a source of comedy to me. I was always such a late developer. I was last to walk. I was last to ride a bike. I was last to have sex. That's why it's fun to portray one side of your childhood onscreen...
I had always loved comedy, and acted out Steve Martin and Bill Cosby albums with my sister for my parents on road trips and stuff, and I loved to laugh and make people laugh.
I think that having comedy where people talk the way they really talk, when you talk with your friends and whatever, it's really, it's important. Or else you're making stuff that's a little bit watered down and irrelevant.
My real name is Madeleine Wickham, under which I write dramas with an edge of humour. As Sophie Kinsella it's fast, all-out comedies, such as the 'Shopaholic' series.
My friends say I make them laugh a lot, so I think that somewhere in me is a little comedic ability that comes out in the most inappropriate or unexpected moments. I did a lot of sketch comedy years ago. That's always in me.
Activism isn't about holding your faults up to the light. That's what comedy is about, it's about saying, 'Look at this person who is so flawed and frail and damaged. And we're all this frail and damaged so let's laugh at it.'
I never even thought of myself as deadpan until someone wrote an article about me about a year after I was doing comedy. There was a paper called the 'Boston Phoenix,' and someone wrote a description of what I was doing and that's where I first saw '...
'Bunk' is a comedy game show where, each week, three of my favorite comedians compete in a series of bizarre and meaningless challenges all for my entertainment. Ethan T. Berlin and Eric Bryant created 'Bunk.'
I feel like there is something about having a copacetic world POV that helps in making a comedy. Like, David Wain has such a particular way of looking at the world. It helps when everyone can see behind his eyes, you know?
About 25 years ago, I was in an apartment, and next door, they put on the radio, so I struck the wall with my fist, but they did not put the radio down. I took a tool and banged until I made a hole through the wall. It was like a comedy movie.
We didn't know anything about comedy duos - Abbot and Costello, Martin and Lewis - we didn't know anything about that. Kim Fields showed us a tape of Martin and Lewis and their old shows and they come through the curtain so we started doing research ...
My style can't be held within a pixel medium. Like, it needs to be performed in a living, breathing space. People need to have all their senses ready to take on my comedy, and unfortunately, TV alienates at least their sense of touch, taste, smell.
People always call me a comedian. And I don't really see myself like that. I guess I just consider myself an actor who does comedy. But who wants to do other things as well.
What I've found in my career is that 70 to 75 percent of comics are nice and have some sense of social skills, but there are those who end up in comedy because they don't know how to socialize. I don't want to deal with that group.
The only honest art form is laughter, comedy. You can't fake it...try to fake three laughs in an hour -- ha ha ha ha ha -- they'll take you away, man. You can't.
If I'm really considering doing film from now on then that is the smart thing to do, or you can go either way. You can just do the same character over and over again and make a different comedy like over and over again.
I did six Broadway shows, and I noticed there weren't many female comedians. When I went to a dancing audition, there were 1,000 girls. And there were three jobs. So I said I'll just try comedy. And I loved it.
