Did you know I started out as a stand-up comic? People don't believe me when I tell them. That's how I saw myself, in comedy.
A lot of critics object to what I do, but I got into comedy to make people laugh, and I've always worked hard.
Because it's uncensored cable, I think we'll be able to do the kind of sketch comedy that really hasn't been seen before. We can actually finish jokes.
Comedy ages quicker than tragedy, to the extent that we can't know if the 10 commandments may originally have been 10 hilarious one-liners.
I still do my comedy and my performance stuff and my acting so it's not all-consuming. But I do find myself drawing more and more these days.
What I loved about 'The 40 Year-Old Virgin,' the title is the easy sell, but when you see the movie, the comedy is more free-form and more relatable.
A lot of stand-up comedy is embarrassing: too many idiots doing it in orange neckties against brick walls. I find most sitcoms embarrassing, too, because they seem so forced.
A lot of people do comedy about India, but they're not from India. It's a Kwik-E-Mart perspective. I want to provide a genuine view and maybe one on how we see the West.
I used to write bits and pieces of comedy material for various comics that were at the Windmill... as well as my film job, I was under contract, I was allowed to do that and everything.
With stand-up, I can have an idea, go down the street to a comedy club and work on it, flesh it out, book a venue, people will come, then film it. I do all that myself; I never have to answer to anybody.
When I finished my residency in New Orleans, I went to L.A. where I would work as a doctor during the day, and then at night I would actually go to The Improv and do standup, all the while kind of cultivating my comedy resume.
I probably could be a world-class screenwriter by now if I had spent the kind of work I devote on Comedy Death-Ray to that. But I do okay, in that regard. I mean, my stuff gets bought, so it's all right.
It used to be that in comedy you had to play the clubs and work your way up, but now, before you do the clubs, you can put something up on the Internet. It's public access times a million.
There's a general sense that women are more relaxed and less defensive in comedy than they used to be. I think it's easier than it was but underlying it all there is still a pretty sexist view of women on stage, which to me hasn't changed that much.
Women always think that I'm Chandler, so if I don't joke around for half an hour, they think that something's wrong. Then I explain that I don't have comedy writers scripting everything I'm saying at this particular dinner.
A kitten is the delight of a household. All day long a comedy is played out by an incomparable actor.
Don't bite his face, Eleanor told herself. It's disturbing and needy and never happens in situation comedies or movies that end with big kisses.
When Ulysses saw his brother, a wonderful thing happened to his face. All the terror left his eyes, because now he was hom
Maybe we women gravitate toward comedy because it is a socially acceptable way to break rules and a release from our daily life.
Improvisation is almost like the retarded cousin in the comedy world. We've been trying forever to get improvisation on TV. It's just like stand-up. It's best when it's just left alone. It doesn't translate always on TV. It's best live.
I think physical comedy is an amazing asset because it tells a story that's more universal than just language and dialogue. I grew up watching Charlie Chaplin and Buster Keaton. They're very powerful figures in my life.