My thinking is, if we're setting out to make comedy in which nothing is off limits, then everybody is fair game.
It's certainly strange to do sketch comedy with cue cards at midnight in a skyscraper as opposed to in a basement with your friends.
I think a lot comes from having the experience of doing stand-up comedy. It allows you to figure out the psychology of an audience; what things are funny and not.
I was never really comfortable doing comedy. Though it was good the first couple of years, there were problems, and it became a stifling experience. I was happy it ended.
I'm kind of obsessed with food. I like to eat. When I tour, it's like, well, like a food tour as much as a comedy tour.
My family's always been really funny. I feel like comedy's hard. I feel like it's so important.
I'm a storyteller: the crux of the matter is to reach beauty, poetry; it doesn't matter if that is comedy or tragedy. They're the same if you reach the beauty.
There was really a snobbery from people in film - they did not want people who had come from television. It was the poor relation of show business, and especially situation comedy.
I think I would do a much better job if I had a chance to do things that were edgier than I get to do in comedies.
We just sort of thought a Web series would be a cool thing to be able to send to our parents to show them that we were, in fact, actually doing comedy.
I didn't know I was cool, but I was very flattered that some of the younger comedy writers came up to talk to me at the Emmys. I found that gratifying.
You can think of Hollywood as high school. TV actors are freshmen, comedy actors are maybe juniors, and dramatic actors - they're the cool seniors.
I would like to explore comedy more. It's not something that I've done a lot of. Obviously, I'm very at home in drama. I like everything.
Let's not call physical comedy falling down and pratfalls. All humor is physical, no matter how you dish it out. It's timing, like a dancer or an athlete would have.
So my humor, I'd say, comes from a mixture of lowbrow comedy shows and highbrow theater. It's an interesting mix.
'Big Bang Theory' is not my kind of show. It's not my humor. I don't like multicam comedies. I don't want an audience to tell me when to laugh.
I've been in the director's chair for 'Battlestar Galactica' since its first season. I directed the only comedy that's ever been done in Galactica history.
I feel reviewers are tougher on comedies in general. They don't take them seriously, and the ones that get great reviews are not necessarily the ones that I like.
As for Tenacious D, of course it could work as a full length movie; all it requires is a great writer and great director with an ability to think outside of conventional film comedy.
Not everyone can be as successful a performer as myself, who gave 10 great performances the first time I ever did comedy, and then toiled in obscurity for years.
I feel like I share a great relationship with my audience where they trust my judgment and choice of films and sense of comedy.
