It was a matter of survival for the local people, but it was the most violent scene I have ever witnessed. The people in my group, feeling helpless, were all spellbound and aghast at the same time. I became a vegetarian shortly after that.
When 'The Thin Blue Line' came out, I was criticized by many people for using reenactments, as if I wasn't dedicated to the truth because I filmed these scenes. That always and still seems to be nonsensical.
Harry: And now we wait? Hermione: And now we wait. [they sit down end of scene]
[from a deleted scene:] Neil McCauley: And I am double the worst trouble you ever had.
James Bond: [after a scene with heavy shooting] Are you hurt? M: Only my pride is hurt.
25, 30 years ago, that meant something, they were making some money. And they were doing all sorts of comedy, screaming at the audience, basically crowd control. And then there was the whole urban comedy scene.
War seems to be one of the most salutary phenomena for the culture of human nature; and it is not without regret that I see it disappearing more and more from the scene.
I can make a scene that's not supposed to be sexy, very sexy. It's a power you're born with. It's not a physical thing, it comes from inside. It's all in the eyes.
This is the point being missed by readers who lament Liquor's lack of hot sex scenes, probably because they aren't old enough to understand that a passionate relationship could be about anything other than sex.
Our first scene is sort of a reunion between the X-Men characters, which establishes everyone's relationship to one another, sort of like a recap for all those who have forgotten since the last movie.
As an actor, I've grown considerably. It's taken me years to get comfortable doing a romantic scene and dancing on stage in front of a live audience. I've really opened up a lot.
Sometimes I just want to write a really intense love scene. But I can't do that in my books for teens, or parents will complain - believe me, I've tried.
Action, reaction, motivation, emotion, all have to come from the characters. Writing a love scene requires the same elements from the writer as any other.
I love David Fincher - even though it was just two scenes, I loved the way we worked and could tell by the way he was shooting it that this was going to be an affective movie to say the least.
I just got Kill Bill: Vol. 2. I've watched it like eight times in the past two months. I just love the scene at the end between David Carradine and Uma Thurman.
It is interesting that our biggest fans are the greatest names of the classical music scene, such as Julian Rachlin, Janine Jansen, Mischa Maisky and Gidon Kremer. They even make guest appearances in our concerts occasionally.
I think it's so dope that I'm here in Chicago and contributing to the music scene that's thriving. People are so happy Chicago's shining that everyone is willing to say 'I represent Chicago.' That wasn't always the case.
Patty Griffin is iconic, and there's no other word to really describe her. She is iconic for a lot of people - not only for me but for a lot of fans. Her voice is one of a kind, and she's such an important figure in the American music scene.
I grew up with classical music when I was a ballet dancer. Now when I have to prepare an emotional scene, to cry or whatever, I listen to sonatas. Vivaldi and stuff. It's just beautiful to me.
An Emraan Hashmi film has come to guarantee certain ingredients: An intense, grey central character, a beautiful girl - if he gets lucky, then two - couple of kisses, a few bold scenes, fabulous music and a climatic twist.
You rarely find someone who sings really well and who produces really well; it's a problem, and I just think it's a missing link in the music scene.
