A lot of these angles are really about trying to mimic broadcast sports angles in order to anchor the scene, to sort of normalize it before it becomes abstracted.
Raquel Welch is someone I can also live without. We've got some love scenes together and I am dreading them!
I'm used to a lot of love scenes. I'm used to something that requires me to kick up my heels and wink-wink, flirt-flirt with a twirl of my skirt.
I think all movie love scenes are hard because you can't truly be as intimate as you would be with anyone you're truly with, and everyone's watching you.
I think in L.A., in terms of the music scene, it's a really strange place. It's really hard to get the feeling that something's happening, or the feeling that something can make it out of there.
A scene gets cut a few frames here and there, but there's a cumulative effect to it, and then the music needs to be reworked. It's demanding, but when you see the improved cuts, it's always better.
A Deap Vally renaissance is going to begin next year and will be our focus for the start of 2013. They will blow the cobwebs off a music scene that has become just a little bit stale.
Ah, reality TV: where opportunists delight in exposing opportunism! It's kind of like the indie music scene.
It's my luck to be at the frontier of what looks to be a resurrection of roots music on the international scene. That's really what reggae music is about: that voice against oppression and struggle.
It's like that scene from The Player when they talk about merging Star Wars and Kramer vs. Kramer, or whatever. You could do that with music and it would just be awful.
There were movies that always made me want to be a director. You see brilliant scenes and the way the emotions were handled. I thought, I'd really like to do that.
The only dangerous scene is when James Cromwell put a stake in my chest. But other than that, it turned out to be quite a punch. I didn't think much of it.
Obviously, 'Lincoln' is not about the telegraph operator. There's a whole other movie before and after the two isolated scenes that I'm in.
As far as behind the scenes, I absolutely want to get into making my own films and producing my own things.
It does get strange when you realize people will hang around for hours to get a glimpse of you doing scenes outside.
I don't believe moviegoers don't have patience. Screenwriters are told a scene can't be longer than three minutes, that you have to cut to the chase. Not true!
În spatele oricărei scene extraordinare de luptă stă un coregraf extraordinar care transcende dincolo de orice înţelegere şi exuberanţă!
When you're in that scene, you really wonder if this is all you're ever going to be. You know how vile and filthy you are inside.
I've always felt that I was a bit of an outsider to the British children's-book illustration scene, because I don't work in line and wash.
I do admit to being challenging, but it's always for the work, it's never personal. I will walk out on a scene if it's all lit and ready to go but it's not happening.
The logic of collective security is flawless, provided it can be made to work under the conditions prevailing on the international scene... The odds, however, are strongly against such a possibility.
