I spent a majority of my life in Kansas City, so I am a Chiefs and Royals guy. I used to work for the Royals for like five years in the suites department and in the stadium club restaurant.
'Vanity Fair' caught me at a very exciting time in my life filled with night clubs, international fashion shows, celebrities and lots of cash to go around. Sometimes things just fall into place. 'Vanity Fair' was one of those things.
It's sad that grandkids show up at the end of obituaries, way behind the list of work place achievements, social clubs and survivors. Why last? If you've got grandkids, you know they're first when it comes to the joy in your life.
I wouldn't call myself a dancer. I would never even dance in a club - I can't move my feet! I'm terribly shy about moving. I feel comfortable in my body, but dancing is like learning another language.
I loved working on 'Happy Gilmore' because I love to travel to new places and we got to go to British Columbia. Any Adam Sandler film is fun to work on because it is a reunion of the boys club of guys that have worked together in the past.
The majors are very important, and I would love to win one or many. I'll continue to compete in them hard and win if I can. There's not much more I can say. I'd love to be part of the club of people who've won majors.
I grew up in Iowa, and the improv comedy club Comedy-Sportz across the river in Illinois held auditions. They took me even though I was only 16 - you really had to be 18, but they never checked me for ID.
If a Middle Eastern sheikh comes to buy Bayern Munich, he could buy 49 per cent. Fifty-one per cent must stay in Germany with the club. That law came about because of the developments of international football.
When I got out of high school, I thought, I'll take a year or two off and play the clubs, get this out of my system, and then go to med school.
They told me my services were no longer desired because they wanted to put in a youth program as an advance way of keeping the club going. I'll never make the mistake of being seventy again.
Even in my side of the world, I've been in publishing for what, 25 or 26 years, and it's gone from being a gentlemen's club to being a few big players, and it's very corporatised.
I grew up in a place where everybody was a storyteller, but nobody wrote. It was that kind of Celtic, storytelling tradition: everybody would have a story at the pub or at parties, even at the clubs and raves.
In terms of writing more club tracks, writing more electronically influenced - I feel like it was all electronically influenced, but now that influence has come to me in a different way.
When I look back at the church I grew up in, I realise that nothing about its behaviour was very Christian. It was just a social club on Sundays where people would meet up with their mates.
The road, lyric-wise, is a trap, and a bore. Maybe it's interesting to me, but I don't think it's a connecting thing with other humans. What is there to write about? Truck stops, hotels, clubs?
I had taken on the color of the climate around me and had driven back all the emotion that rose from the Brooklyn streets so that I could belong to the exclusive club of Congress.
I almost never hit a shot all out, and I make a conscious effort to swing my long clubs just as I do my wedges. Keep this in mind when hitting your fairway woods.
I'm looking forward to getting older. I look at people like Peter Gabriel and Sting and even Tom Petty, Don Henley. People that didn't lose it. I'm hopefully going to join that club.
I started promoting clubs when I was 15. 1 was doing what is considered the normal collegiate stuff when I was a lot younger. I was holding my own, but doing a lot of crazy things.
Monorails have their own fan club, which claims more than 2,500 members who swap monorail toys and trinkets. Modern light rail can claim no such devoted fan base.
People talk about loyalty of players to clubs. But in the everyday world, you don't see people being loyal to their company when they're getting offered considerably better deals elsewhere.
