And although cars and motorcycles zipped around, all he saw was the girl coming toward him like a scene in a movie.
They sought each other, missed each other, at cocktail parties, in train terminals, at flower shops, their fin de siecle Nokias gaining symbolic power with each scene.
There's an old saying that applies to me: you can't lose a game if you don't play the game. (Act 1, scene 4)
Just as the calm unruffled lake, mirrors the beauty of a scene, I would reflect to those who read, the joys of love and life serene".
The scene sucker-punched Max. He never saw it coming. It encapsulated in one poignant instant the tragic beauty of his family history.
Children playing while in the background the TV blares with screams, gunfire and rape-murder scenes. It seeps in.
The bright blue sky remained cloudless, and the aquamarine ocean still crashed gently onto the white sand beach, but the scene was suddenly warped. Twisted, as I processed Thad's words.
Just saying an intention and leaving it at that will not necessarily result in an outcome, if there is a stronger, more primal belief behind the scenes.
(D)reams are like that: they go in and out of memories and scenes, but they're never real. They're never real, and I hate them because they aren't.
Wretched game, cricket, keeping romantic youths out in the sun when they should be indoors, applying balm to the foreheads of feverish young maidens.
Most of my stuff before CSI was kind of the jerk boyfriend, so I thought this was one of those deals, where these two have a thing going on, so we had a scene where they make out.
I don't think they're gratuitous with the nudity on 'Game of Thrones.' It's very much part of the world. There's a lot of it, but that's the world they come from. It never is there to distract from the scene or the actors or story.
We pass now quickly from each other's sight; but I know full well that where beyond these passing scenes you shall be, there will be Heaven.
A lot of times when I'm writing lyrics, I just think about insecurities that I might have and turn them into a scene. Some things may be true, and some things may not.
I think the intelligent thing about it is that you have to carefully listen to it all to grasp it, and because I'm not in every scene - colossal disappointment to everybody that it may be - I'm not getting the full picture here today while recording ...
I have a painter's memory. I can remember things from my childhood which were so powerfully imprinted on me, the whole scene comes back.
Every actor I think has got their own number of takes that they like, you know. Some actors like to go all day, you know on the one scene and some actors want to take two takes. I personally like four.
Yes, and there were changes of light on landscapes and changes of direction of the wind and the force of the wind and weather. That whole scene is too important in Homer to neglect.
The real, raw, driven-to-tears type scenes have always scared me since I was very young working as an actor. And to this very day, I get tremendously neurotic making sure nothing is forced or fake.
Movement should be a counter, whether in action scenes or dialogue or whatever. It counters where your eye is going. This style thing, for me it's all fitted to the action, to the script, to the characters.
Just be nice to me while I am doing the scene; that is all. I don't want big cars, I don't want big hotel rooms.
