I would like to do a part that would stretch me. In America it seems to me that you just take your clothes off and that helps, but I wouldn't want to do that.
The pleasure we derive from the representation of the present is due, not only to the beauty it can be clothed in, but also to its essential quality of being the present.
I bought a lot of rubbish things that kids buy: skateboards and clothes and typical teenage stuff. And, as soon as I could, I wasted a lot of money on cars - BMW's mostly - for myself and my family.
The Paris peace talks kept a roof over my head and food on the table and clothes on my back because if something was said going in or coming out, I had the rent for the month.
Until I got older, I never dreamed of what a demanding responsibility it is to keep food in the pantry, to keep clothing neat and presentable, to buy all that is needed to keep a home running.
James Bond is quite serious about his drinks and clothing and cigarettes and food and all that sort of thing. There is nothing wry or amused about James Bond.
You start making movies and people start seeing when you go to places, and all of a sudden you are getting clothes for free and all of a sudden you are getting food for free.
If you want total security, go to prison. There you're fed, clothed, given medical care and so on. The only thing lacking... is freedom.
When I started my own business, my main reason for designing clothes was that I wanted to dress rock stars and the people who went to rock concerts. It didn't go beyond that aspiration at that point.
You know, I've certainly gone through periods, once I got into this business, where I tried to adopt maybe a more sophisticated style, 'cause they give you all these free clothes.
But it's cool working with female directors because I'm a girl, so you do relate to them more. You can talk to them about other stuff like clothes and all that.
I went to my room and packed a change of clothes, got my banjo, and started walking down the road. Soon I found myself on the open highway headed east.
I try to make my bed every day for mental health. Coming home to an unmade bed or a room with clothes all over will depress me.
I'm a clown, which could be a public health role. I'm really interested in moving our society away from a society needing Xanax and Prozac, and that is really feeling depressed, to one that is celebrating, and so I find just walking around in colorfu...
This is exactly how I would describe my work: 'I get there, I put on the clothes, I leave it on the hanger, and I go home.' And that's what I do.
I mean, I did a film, a musical of 'Scrooge', in '70, and the tricks were done by flat clothes and mirrors. I hope that the day will come when we don't have to turn up at all.
If you look back at the history of creativity in clothes - the French Revolution, the First World War and the Second World War - they have all been creative reinventions, the moment new forms of luxury come into play.
I have gone above and beyond to care for my child, including an agreed upon monthly stipend, a house, a car, insurance, school and other essentials for the baby and his mother as well as many other things, including toys and clothing.
I come from a different era and I design clothes for our era. I think of people I want to dress when I design.
Aficionados of Slow design and Slow fashion use ethical and green materials to make objects - furniture, clothes, jewellery - that lift the spirit and last a lifetime rather than one catwalk season.
When I meet celebrities, I have to know what they are like and only then can I design. The clothes have to fit their personality.
