Lasky, Guard at Walleyworld: Sorry folks, park's closed. Moose out front shoulda told ya.
Neal: Let me close this conversation by saying that you are one unique individual. Del: Unique... what's that, Latin for "asshole"?
Stanley Goodspeed: You're shooting too close to the rocket! Him, but not the rocket! John Mason: Any other news, professor?
Guy Haines: Doesn't that bloodhound ever relax? He sticks so close he's beginning to grow on me - like a fungus.
[as the garbage compactor closes in] Han Solo: One thing's for sure, we're all gonna be a lot thinner.
Alonzo Harris: How you want it, dawg? Closed casket? Remember that fool in the wheelchair? How'd you think he got there?
Swan: When we get there, you stick close by, okay? Rembrandt: Don't worry. I don't feel like getting wrecked.
There are two kinds of power you have to fight. The first is the money, and that's just our system. The other is the people close around you, knowing when to accept their criticism, knowing when to say no.
We'll set up a demo session and try to knock out eight or ten songs and make them sound as close as we can to a record with the money and time we have.
It's the nature of journalism to need to be close to your subjects. And either you're able to be tough on them, which a lot of us are, or you get in bed with them, and some people do.
No one can feel more gratefully the charm of noble scenery, or the refreshment of escape into the unspoiled solitudes of nature, than the laborer at some close in-door employment.
I look forward to strengthening the U.S.-U.N. partnership and working closely with Secretary of State Kerry towards our shared goals of peace, development, and human rights.
You turn on the TV, and you see very bland interviews. Journalists in the United States are very cozy with power, very close to those in power.
Time is compressed like the fist I close on my knee... I hold inside it the clues and solutions and the power for what I must do now.
I don't much care whether rural Anatolians or Istanbul secularists take power. I'm not close to any of them. What I care about is respect for the individual.
I don't look on poetry as closed works. I feel they're going on all the time in my head and I occasionally snip off a length.
When the missionaries came to Africa they had the Bible and we had the land. They said 'Let us pray.' We closed our eyes. When we opened them we had the Bible and they had the land.
You could argue that 'Sweeney Todd' was romantic, if you looked closely at it, but it didn't impart that to its audiences. But it's large, and it's melodramatic, and it's a style I like to work in periodically.
Success is different for everyone; everybody defines it in their own way, and that's part of what we do in 'Close Up', finding what it was each person wanted to achieve and what their willingness to sacrifice for that was.
Technology tools such as laptops are the kind of help that we need. A program that provides laptops for all youngsters would close a gap that most of us are not aware of, or will not admit to, which is a tremendous gap in the poor communities.
I would love to compose something for dance before I kick the bucket, and I'm not closed-minded about the dance, or the dance company. I would really just love to collaborate on that.
