If it's fast, no I don't have enough piano technique. In that case, it's probably been done on some kind of synthesizer or sequencer. Then the score can then be printed out and so forth.
I mean, Chris is, I'm sure, a wonderful guy. But in those days he also very, very late. For all appointments and departures and arrivals and sound checks and anything.
I do remember the whole thing as being very argumentative, hot blooded... a permanent state of friction between Jon and Chris, Chris and me, me and Jon.
I'm not a political person. When I start to get into it, it just upsets me. I feel so powerless when it comes to politics. So I've just decided to be non-political and very, very pro-soldier.
I deliver very traditionally, and people aren't threatened. I think if I cursed or seemed wilder, I couldn't get away with the amount of very opinionated politics I get away with.
I've learned a lot about what kind of actor I want or do not want to be while being on set. I sit back and observe how other actors treat the totem pole of set politics.
I grew up in an apolitical household. I never left the country. When I became an adult, I started traveling and became interested in politics, and I probably talked about things in a silly, ignorant way.
I look for the humanity in people, however big the politics or oppressive the situation may be, whether it's subsumed within a human being or between two human beings. I want to help us hold a mirror to ourselves.
I think the reaction to a World War II situation would be the same today as it was in 1942. Initially, people would question, but once patriotism got stirred up, the whole thing would gather momentum and we'd all pull together.
An opera singer is like an athlete before a match. An athlete cannot overdo anything. In order to perform at the highest possible level, you need to refrain from activities so as to be able to express this power.
When you hear a large symphony orchestra. for instance, in a concert hall, there's a big, sweeping sound that just doesn't get on to a record.
All of the people who work in the kitchen with me go out into the forests and on to the beach. It's a part of their job. If you work with me you will often be starting your day in the forest or on the shore because I believe foraging will shape you a...
I will say that the idea of a woman being deceptive came from that original discussion with critics and reporters about if woman could do that kind of thing. Evelyn, herself, grew out of the discussions about how capable women are of deceit and lying...
Berlin is still going through a transition since the Cold War - both in what used to be East and West Berlin. I can still sense the confusion and the struggle for identity there in the streets. There's a pulse to it.
War is party-blind. It doesn't care who is in the Oval Office. The forces that drive us to war don't care whether it's Republican, Democrat, or other. The fact is, these parties are prey to special interests. That is something Eisenhower was afraid o...
And the young people in the 1960's identified with it immediately, because, I guess the young people had been having years of repression really. They felt that the, you know, after the war everything was very austere, particularly in Europe.
What I was trying to convey there was the kind of waste land that was left after the war. It was a bit like one always thinks of war, you know, stark scenery and no birds, no trees, no leaves, nothing living. And just emptiness.
No one wants to hear from the producer. He's the guy by the pool with a cigar in his mouth and a couple of lovelies on his arm. But when you're a director, they want to hear what you have to say about everything - the war, the world.
There aren't a lot of guys like me left. But I'm a war horse. I've been through it all. And you know something about war horses? Through the sleet, through the snow, they just keep going.
The thing about World War II is that everyone knows about the concentration camps in Europe - in Nazi Germany and Poland and Auschwitz and the other camps - but, no one really talks about the camps that were here in the United States.
Hiroshima has become a metaphor not just for nuclear war but for war and destruction and violence toward civilians. It's not just the idea we should not use nuclear arms. We should not start another war because it's madness.
