I was really exposed to great old-time literature - the classics, the poetic realists like Strindberg and Ibsen and all those guys. I was really inspired by all those guys. That's when writing became a primary focus.
People consider Black Star a great album, and I think it's a classic album. But the fact is, both me and Mos Def have made better albums since Black Star.
We were younger. And it's basically like looking at football classics. You see things that you did, you see things that you could've done better and you think about all the good relationships that you had with the cast.
I like stories of the classic hero, of good versus evil, the ones in which the good guys wear white and the bad guys wear black... and I love a good sword fight.
My mother - she's a good old classic Northern European socialist - she's totally wonderful, but she raised me up believing that rich people have stolen their money from poor people.
My inclination, as an old-school, classically trained journalist, is not to go with a story unless I have it hard. It's not good enough to say something based on rumors that were flying around.
I don't know if the '80s were unique, but we certainly got original, groundbreaking stuff at the time with movies like 'Back to the Future' and 'Star Wars' - movies that became classics.
Classical philosophical theism maintained the ontological distinction between God and creative world that is necessary for any genuine theism by conceiving them to be of different substances, with particular attributes predicated of each.
Allen Ginsberg was a world authority on the writing of William Blake, and had an incredible knowledge of classic literature and world politics.
I wanted to give people - which is fairly bizarre considering my whole life is contemporary dance really - I wanted to give people a really fulfilling sense that they had seen a white classical ballet - in a very pure form.
As an artist, you have to express yourself. I make no excuses for my versatility. I grew up singing classical arias, but I love rock n' roll and jazz standards.
I love chocolate mousse, that's probably my favorite. I'm a big strawberry shortcake fan as well. I'm not mad at classic vanilla either. I'm not, I'm not sure what the word is. Cake discriminatory? Cakeist?
I like sundresses with cowboy boots, little shorts with big wedge heels and a big piece of turquoise. I also love classic, Old Hollywood romantic styles. I'm 'country girl meets city girl' circa 1930.
In kindergarten that used to be my job, to tell them fairytales. I liked Hans Christian Andersen, and the Grimm fairy tales, all the classic fairy tales.
The male orientation of classical Athens was inseparable from its genius. Athens became great not despite but because of its misogyny.
Classics are books which, the more we think we know them through hearsay, the more original, unexpected, and innovative we find them when we actually read them.
I still play jazz, and I've always got that trumpet very handy, but I'm coming to feel the classical venues are where my main focus is, in the realm of symphonic pops.
Nobody does just one thing. But the real difference between being an entrepreneur and everyone else in the world is the ability to monetize. I am an entrepreneur in the classic mold.
As for the American child's classic problem - too much mother, too little father - that would be cured by an equalization of parental responsibility.
I'm 5 foot 7, and I've got pasty white skin. I don't think I'm ugly, don't get me wrong, but I'm not your classic lead man, Brad Pitt guy.
I've never thought of myself as a classic leading man. I'm a character actor who happens to play leading roles. Come on, look at me. I'm really Desperate Dan.
