I see the city as an organism, shaped through time by the little humans having habits and doing millions of stuff in and out of it.
I usually have a couple of projects going on that are different. A 'Sin City' while I'm doing a 'Spy Kids' at the same time. I need different things going on.
I haven't travelled that much before so this is the first time I get to see the big cities of Europe. I've never even been to US.
As I travel the country for away games, I meet kids fighting cancer in almost every city. They visit the ballpark, and I invite them onto the field so we can chat and then watch the game.
I don't sleep very well when I travel. And as a result, I tend to be awake in cities when everyone else is asleep.
Zé Pequeno: Can you read? Gang Member: I can read only the pictures.
Mr. Wall: No more Mr. Quick. Mr. Quick, dead, yes. Stranger: Poor, poor Mr. Quick.
[Alicia and Devlin meet on a bench in the city] Devlin: What's new? Alicia: Oh, nothing. What's new with you? Devlin: Nothing.
Klump: I can only express puzzlement, which borders on alarm.
Yellow Bastard: [on the phone] And it'd better be perfect or I'm gonna call my dad!
Dwight: First, we gotta rescue Gail. Then comes the kill. The big, fat kill.
Wendy: Kill em' for me Marv. Kill 'em good. Marv: I won't let you down, Goldie.
Marv: [shows up at Lucille's apartment heavily bandaged] It's okay, Lucille. I was just grazed.
Dwight: A hardtop, with a decent engine. And make sure it's got a big trunk!
London changes because of money. It's real estate. If they can build some offices or expensive apartments they will, it's money that changes everything in a city.
The older I get and the longer I live in New York City, the more I have the desire to go elsewhere and be surrounded by nature.
I used to be such a militant city-ist, but more and more I've seen forests and nature and oceans, and I don't know any more if this is the awesomest way to live.
The success of 'The Fighter' made it a lot easier to get 'Broken City' green-lit. And the buzz about 'The Fighter' also made it a lot easier to get 'Contraband' green-lit.
With every record I put out, I got a bit more success, a bigger following in cities I would play in, and occasionally a bit of radio play.
American society as a whole can never achieve the outer-reaches of potential, so long as it tolerates the inner cities of despair.
I started out as a high school teacher in inner-city Chicago and realized quite quickly that my students weren't that motivated.
