Louis: Claudia, don't! Claudia: [Beginning to cut her hair] Why not? Can't I change, like everybody else?
Claudia: Louis, what's happening to her? Louis: She is dying. It happened to you, too, but you were too young to remember.
Louis: A little child she was, but also a fierce killer, now capable of the ruthless pursuit of blood with all a child's demanding.
Daniel Molloy: What did you see? Louis: No words can describe it. May as well ask Heaven what it sees; no human can know.
Lestat: Oh Louis, Louis. Still whining, Louis. Have you heard enough? I've had to listen to that for centuries.
Daniel Molloy: So there are no vampires in Transylvania? No Count Dracula? Louis: Fictions, my friend. The vulgar fictions of a demented Irishman.
Louis: The statue seemed to move, but didn't. The world had changed, yet stayed the same. I was a newborn vampire weeping at the beauty of the night.
Lestat: [Lestat follows a trail of bloody dead rats to a tunnel] All I need to find you, Louis, is follow the corpses of rats.
I loved fantasy, but I particularly loved the stories in which somebody got out of where they were and into somewhere better - as in the 'Chronicles Of Narnia,' 'The Wizard Of Oz,' 'The Phantom Tollbooth,' the 'Dungeons & Dragons' cartoon on Saturday...
The first profile piece on myself came about after my Rabbi sent information to the Jewish Chronicle on what I was up to. The story was then picked up by one of the nationals and things grew from there.
The portal structure is simply a technique: it is neither necessary nor unnecessary, except as the writer and the story make it so. In the case of 'The Chronicles of Thomas Covenant,' it was absolutely necessary to my intentions.
But, first, remember, remember, remember the signs. Say them to yourself when you wake in the morning and when you lie down at night, and when you wake in the middle of the night. And whatever strange things may happen to you, let nothing turn your m...
She was as lovely as ever, my Jessie Anne. I paused for a moment, taking her beauty in, laying up this vision of her in the deepest and most secret place of my mind, allowing the sight of her to renew my spirit. I stepped slowly down to the platform,...
Even if i'm setting myself up for failure, I think it's worth trying to be a mother who delights in who her children are, in their knock-knock jokes and earnest questions. A mother who spends less time obseessing about what will happen, or what has h...
Think of all the stories you've heard, Bast. You have a young boy, the hero. His parents are killed he sets out for vengeance. What next?" Bast hesitated, his expression puzzled. Chronicler answered the question instead. "He finds help. A clever talk...
I read of a Buddhist teacher who developed Alzheimer's. He had retired from teaching because his memory was unreliable, but he made one exception for a reunion of his former students. When he walked onto the stage, he forgot everything, even where he...
Religions are metaphorical systems that give us bigger containers in which to hold our lives. A spiritual life allows us to move beyond the ego into something more universal. Religious experience carries us outside of clock time into eternal time. We...
The point of life isn't to avoid pain. The point of life is to be alive! To feel things. That means the good and the bad. There'll be pain. But also joy, and friendship and love. And it's worth it, believe me.
The living mourn the dead for a time but they forget about them as days pass. The living are so selfish, so spoilt, so taken with the very act of living that they don't remember long.
Hello, companion," said Magnus. The monkey made a terrible sound, half snarl and half hiss. "I begin to rather doubt the beauty of our friendship," said Magnus.
Robert Crumb is an influence on how I draw, but not on the subject matter I take or my approach. One thing I do like about Crumb is that he's chronicled his age, his times, and I think that is what artists should do.