If you don't tour, you cannot expect to sell a huge numbers of your albums either. It was both a business - and an economical decision and we wanted to play anyway. We just wanted to get out for the tour when it was safe enough for us.
You're always frustrated, you don't have the chance to do a song on the album, like the Beatles did with Ringo and George, or like Led Zeppelin, where everybody was given a chance to contribute. There never is a chance with the Stones.
I think we all attract troublemakers; I don't think it's particularly about anyone. I had it actually as an album title, and I thought it would be really cool to write a song about a girl that's a bit of troublemaker.
When you spend two to three years working on an album that I feel very happy with the end result, there is nothing I would change. Musically, I have achieved what I set out to do.
It's a miracle was the last track recorded for the album, we based it on the rhythm from the middle of 'Late Home Tonight, where there's Graham Broad playing lots and lots of drums with me shouting in the background, pretending to be a mad Arab leade...
I hope that what you take away from my album is not just the music - which I did want to be fun, and I did want it to be about individuality, but please also take away from it that there's no dream that's too big.
I always try to put something personal on my albums just to give people out there a little piece of my history and how I got where I am and who I am.
Now I'm having to live with sales of around 50,000 per album - but I'm pretty content with my place in the general scheme of things, even if it's meant I don't drive a fancy car and can't afford grand vacations.
Now that I have a thousand albums in my car all the time, I listen to more music. I was too lazy; I always had the same five discs in there. I'd never think to change it.
I enjoy making solo albums because over the years it's evolved into more of a genuine personal expression of story-telling and day dreams, and I work in a way that has more control.
All my success seems to come straight away, and it's not until later that I get to appreciate it. Like with 'Popstars,' I won the competition, and now I look back and go, 'God, I was lucky to have number-one singles and albums.'
It's a spirit that was given me and the relationships and meeting all these great people, Duke Ellington, Louis Armstrong; through Max I met a lot of people too. My first album was with Benny Carter.
The great music for so many artists - the Beatles, the Rolling Stones - was always at the moment when they were closest to pop. It would be easy for U2 to go off and have a concept album, but I want us to stay in the pop fray.
The record was only released in the UK, and then when the idea for the remixed album came about, which was an idea that I've had for the longest time, I said this would be great song to remix as well, and so we did it.
On first listening, Joni Mitchell's 'Court And Spark,' the first truly great pop album of 1974, sounds surprisingly light; by the third or fourth listening, it reveals its underlying tensions.
I love Sell Out, I think it's great. I love the jingles. The whole thing as an album is a wonderful piece of work. The cover. Everything about it. It's got humor, great songs, irony.
I don't listen to Nirvana plugged anymore. I think there's a whole group of people who have semi-forgotten that Nirvana used electric guitars because of the 'Unplugged' album. It's so great.
I wanted to make good records. But my problem is I've got a low boredom threshold, so I wanted it to look and sound different with each album, which is really tantamount to suicide, cause people lose it, they lose it - they say: 'I like that, and tha...
I had a very active inner life as a kid. There's a good album or two worth of stuff that I can bring out on a rainy day if I have a loss for inspiration or whatever - even now.
Well, it's a nice quiet time for Iron Maiden, and I'll be releasing a new solo album next year, so this is a really good time for the managing out my solo career, which is quite well.
I've been a list maker for years, even before I was a musician. I was always writing things down and kept long lists of things that would make good album titles and things like that. I'm constantly thinking in terms of songwriting.
