Putting out my album on my own label has been a great experience for me. It's been very inspiring. It's like a new start for me and having all this creative freedom is so liberating and exciting.
Our album 'Show No Mercy' came out in late '83, and we did three or four shows in San Francisco after the release. That was our first experience with stage-divers, crowd-surfing, people walking on people across an entire crowd.
At the time I was writing the second album, I was sitting home in my underwear all day every day; I didn't have all that much to write about except for my own life and my family.
I stand for the Midwest. That's why the album's titled 'M.O.,' 'cause I'm still holding it down like that. My friends and family all call me Mo, so it's kind of like really representing where I'm from and me at the same time.
The whole point of 'Acid Rap' was just to ask people a question: does the music business side of this dictate what type of project this is? If it's all original music and it's got this much emotion around it and it connects this way with this many pe...
I don't relate to what's left of the music business. There doesn't seem to be any point to it anymore. The business that I grew up in and loved, we made records a different way - there were record companies, there were stores where you could buy albu...
Every night I fell asleep to a different Beatles album. So I'm very familiar with the Beatles; Ringo was my favorite Beatle until I grew up and then changed. I made the switch over to George Harrison just in time to regain my cool.
But my main thing that I would love to see as a fan of 'Glee,' like I said, is to really get into the character and who they are and what they do outside of school. I think that that's interesting. And then of course the themed stuff and the album ep...
No one can make the album they made 10 years ago with a straight face. There are two reasons: one is you change as a person. To be a true artist, I have to be true to who I am now and write that way. And the second thing is these are different times.
What really helps me is being able to record my albums at home - I have more fun experimenting that way, as opposed to working with an engineer, in which case I have to deal with the humiliation of doing take after take, and that can get frustrating.
Favored Nations is a long-term commitment. Our hope is that those who are passionate about real musicianship will want to hear and own most of our albums. We will set out to attain the same direct relationship with our customers that we have with our...
We did an album one time called White Mansions, about the civil war, but it was written by a guy from England. His looking at it from over there and it not being a part of his history made it so he could be objective.
Dad had a music store, and he'd often bring home comedy albums that I would listen to. I started listening to Bob Newhart and Bill Cosby, and developing taste. They really influenced my style of comedy.
You only get one album. You only get one single. You get one shot in music. But I have a million different dreams. Why can't I go out and try to achieve them all? Who are you to say I can't?
You're gonna get your traditional Busta Rhymes and Pharrell collabo. My man Focus from the Aftermath crew; Dr. Dre; the late, great J Dilla got work on the album. It's gonna be great - look forward to the new bang-out.
At the end of the day, it is about the album and book and also about setting the record straight, because 'American Idol' has done a great job of defaming my name and throwing a lot of mud at me for the past two years. So that set up a lot of roadblo...
I had an album out at exactly the same time as 'Love to Love You' called 'Einzelganger,' and it's great, all electronic. I'm using a vocoder, doing all this cut-up stuff on there, but no one knows about it.
We were never happy with the way cello was recorded, and we wanted to experiment in the studio to make the cello rock as much as possible. On the second album, we had great help from Bob Ezrin, who helped us develop our sound even more.
Big Rube was on my first album and some of my mixtapes. His words are so powerful. I want to speak every word he says into existence. I wanna be a part of that! I wanna be a part of greatness. His wordplay is great to me.
As far as the creative side of making great, great albums and really trying to go down in history? I don't see that happening lately, you know what I mean? You have a lot of guys is talented, but at the same time, timeless music is more important to ...
I would like to say when I turn the project over to the label that I have been successful. And that's truly the way I feel. But, in addition to the self-pride in 'making' a good album, to be honest, I'd love to have a hit record.
