The physical impact of taiko music, along with the sheer visual poetry of a choreographed ensemble presenting its music in perfect synchrony, is so powerful and inviting that taiko is beginning to catch on as Japan's most influential and lasting gift...
It's called the Ailey American Dance Theatre, not the Alvin Ailey African-American Dance Theatre. One thing also that Alvin wanted people to recognize, he had to wake up black every day. That's not an issue. His culture is an issue, not his color, hi...
For me, this is when the act of watching transforms into the act of witnessing. To witness something implies a responsiveness, the response/ability of the viewer toward the performer. It is radically different from what we might call the 'consuming' ...
But isn't this a dance? Isn't all of this a dance? Isn't that what we do with words? Isn't that what we do when we talk, when we spar, when we make plans or leave them to chance? Some of it's choreographed. Some of the steps have been done for ages. ...
I have a 12:34 representational time dance. I do it at 3:33 every other Tuesday (twice a day). If you’d like to participate in my choreographed dance routine, bring a football helmet and a half empty can of tuna (keeps the stray cats away, because ...
You know you're my best friend, right?' he said. I shrugged. I guessed it was true. Now that I wasn't going to be at the parade, they would all hate me. Everything had been carefully choreographed, and me not being there would throw them all off. I r...
What I’ve come to realize I that I don’t like action for action’s sake. Mindless explosions, super close ups of combat and gore, and unnecessary effects make me zone out incredibly fast. What I do love is a fight that is well choreographed and ...
The living cell is the most complex system of its size known to mankind. Its host of specialized molecules, many found nowhere else but within living material, are themselves already enormously complex. They execute a dance of exquisite fidelity, orc...
Choreographer Twyla Tharp, who directed the opera and dance scenes for the film Amadeus, has this to say about the film’s portrait of Mozart: There are no ‘natural’ geniuses… No-one worked harder than Mozart. By the time he was twenty-eight y...
Of course one’s sense of identification with the nation is inflected by all kinds of particulars, including one’s class, race, gender, and sexual identification. … But [regarding] national character …, aside from references to a national aest...
Max Bialystock: Roger, did you have a chance to read "Springtime for Hitler?" Roger De Bris: [emerges from behind a partition wearing a dress] Remarkable, remarkable! A stunning piece of work. Leo Bloom: [under his breath] Max... he's wearing a dress...
