I had absolutely no trauma in my childhood. If anyone ever assumed that my books were autobiographical, they'd be sorely disappointed, because none of these things happened to me.
I had a lot of chaos in my very early years before I was old enough to know what was going on, and then I just skated through the rest of my childhood without dealing with it.
Superhero stories are kind of in my DNA from childhood on, so I think I'm genetically drawn to playing in the genre when the opportunity presents itself.
A lot of children can go back and look at their childhood and find reasons why it wasn't perfect. But why whine about something no one can fix? You deal with it.
My childhood was a happy one, spent in a tall house in South Kensington and later in East Sussex, but my early and mid teens were less successful.
I labored for eight years thinking I was writing a book for adults that was a nostalgic look back on childhood. Then my publisher informed me I'd written a children's book.
When you write for children and young adults, you have much more affect and influence on them than when you write for adults. The books that get us through our childhood stay with us for life.
What surprised me about the Oscars was how familiar it was - because you're in the room with all these people that have inspired you from your childhood to adulthood in the film industry. It feels like you've known them all of your life.
All of us have moments in our childhood where we come alive for the first time. And we go back to those moments and think, This is when I became myself.
What can I say? I deal with it. I think I have come to terms with my absolutely hateful and vile childhood. No, I have, really. But I did hate it at the time. I resented it. There were elements of it that were positively Dickensian.
Childhood is not dead. Children were worse off when we were hunter-gatherers; they were threatened in medieval times and exploited during the Industrial Revolution. Was it any better in the time of Charles Kingsley or Charles Dickens?
Mrs. Atwater: Do you know when I was a girl I used to read quite a bit. Brandon: We all do strange things in our childhood.
Joey Naylor: [as Nick comes to speak to Joey's class about his job] Please don't ruin my childhood.
Any acceleration constitutes progress, Miss Glory. Nature had no understanding of the modern rate of work. From a technical standpoint the whole of childhood is pure nonsense. Simply wasted time. An untenable waste of time.
When I look back on my childhood, I think of that short time in Beirut. I know that seeing the city collapse around me forced me to grasp something many people miss: the fragility of peace.
To have a childhood surrounded by people like Sir Laurence Olivier and Vivien Leigh sounds glitzy, but for years I wanted to repress it. I couldn't take that kind of power and success.
We are all, in a sense, experts on secrecy. From earliest childhood we feel its mystery and attraction. We know both the power it confers and the burden it imposes. We learn how it can delight, give breathing space and protect.
During my childhood, I played just about every sport imaginable, which became less feasible at Juilliard... Although I remember our annual dodge-ball game as a highlight. The Juilliard 'Fighting Penguins' are a force to be reckoned with.
At one point in time or another, everyone's an outcast, and you have to deal with those sort of issues in society. Especially for teenage kids, I don't think there's anyone that's really been through childhood and not been an outcast in one way or an...
I love my parents in the way most children would: for having been there at every point in my youth and childhood, ready to pick me up when I fell and support me when I stumbled.
I find the subject of childhood fascinating. I explored this subject in Speak to me of love and I am curious about portraying the often painful transition into the adult world.
