I just want different parts; I wanna be that guy who people mention and they don't know who you're talking about until you say a few movies they've been in and then people are amazed that it's the same person.
When you make movies, you have to be preoccupied with the social problems, otherwise there is no point in making a movie. To have a story, you need a social problem. Not necessarily a problem, but something to get the idea for a story, otherwise ther...
It's a big part of what we do - we test our movies extensively. I'm always there myself. It's sometimes difficult to sit through, especially if it's a version of the movie that's not working particularly well.
The interesting thing about movies, it's not always - y'know, you have to have structure etc and all those things, but an audience responds, in many ways, we walk away and certain things stay in our heads that are memorable.
They're pretty extreme, but I loved the two 'Human Centipede' films from Tom Six. Those movies are fun because they're well-made. They're crazy and psychotic and perverted and twisted, but they're really well-made.
I think people assume I only do light things because of the movies that are like 'Hairspray' and 'John Tucker Must Die.' But I think it's all just based on material that I really like and that speaks to me.
In terms of the romantic kind of lead, I just never enjoy those movies very much. Maybe they'll come to interest me more as I get older. I doubt it, but maybe. Romantic comedies tend to be, for me, an oxymoron.
Well it kind of is project to project because as a writer I think you always write to some degree about things that you know or things that happened - but my favourite filmmakers, my favourite movies of theirs tend to be the personal movies.
I understand it all. I can write my own ticket for one or two movies. But if they're not the right ones, my ticket gets yanked. I understand that's how it works, and I'm okay with it.
De Niro was a hero of mine. And Sean Penn. But I've realized I can't operate at that level of intensity. That's okay for movies. On TV, when you live with horror day in and day out, you have to protect yourself.
I have very young looks, so it's easy for me to play high school, but I'm trying to stay away from high-school movies. As I get older, I'll try and broaden my talents.
Often we'd secretly like to do the very things we discipline ourselves against. Isn't that true? Well, here in the movies I can be as mean, as wicked as I want to - and all without hurting anybody.
Movies, I don't really get the bad guys. In theater, I get more bad guys. Both audiences and directors are more willing... to allow people to stretch. In movies, you do one thing, and then that's their reference.
I have made a number of movies that I have never seen. It's not a matter of ego. It's a matter of being disappointed. It's really a shame. It's just as difficult to make a movie that no one cares about as to make a hit.
You do something on television, and so many people see it that it follows you around. It's interesting. I've done a couple of things on TV, and probably more people saw me than in all the movies I've made.
I get a lot of action scripts. I get low-budget vehicles that will end up right on the video shelf. I want to do movies that I want to talk about, that I'm proud of, but I also want to make a living.
The go-to reflex all over Hollywood is still likeability. I've always had a problem with it because I think I have a weird barometer in the sense that some of the characters I've cared about the most in movies are characters that are often thought of...
There are some movies I can watch over and over, never get sick of. I'll put one of those on and be puttering around the house. Then a certain scene will come on and I'll just have to go over and watch.
I don't even know what TV star means. I know there's a difference in how people approach you, compared to movies. They feel OK coming up to you and sitting with you in a restaurant, unfortunately.
Even the pre-schoolers are like, 'I watch you on The Jonas Brothers.' And my own kids. I have been in the greatest movies, even some for kids, and they were never impressed until I did 'Jonas L.A.'
While I'd like to make movies that are uplifting, there's always that part of you that goes, 'I want to play the evil guy because it's not me.' So anything that is not me is a challenge, and if I rise to the challenge, then I've kind of proved myself...
