The biggest mistakes I made in my career were when I said, 'If I do this movie, I'll be able to do a couple more movies.' Those are the times I really got ugly.
Sure, 'Twilight' is really huge right now and everybody's freaking out over it, but it will go away soon and I will be back to doing what I'm used to doing: weird little movies that nobody sees.
I want to get into producing and writing more for myself - setting up my own films and seeing what kind of personal touch I can put on movies, as opposed to just being in them.
When I make movies, I don't ever go out there to please anyone other than myself. I never try to make a film for the masses. I just try to tell my story.
I wouldn't say no to becoming a Bond girl. Making it in Hollywood has been my dream ever since I was little, watching Marilyn Monroe movies. To star in a Bond movie would be bliss on a stick.
I loved Alien, and I loved Carrie, and I loved The Exorcist - those were big movies for me. They were just brilliantly done, and unusual, and they all took horror to some new place.
It's fine to do movies and say, 'We made big grosses,' but you've got to go back and ask, 'How much did it cost?' and 'Where do you make your profit?'
I really have problems with horror movies. I don't watch them. It's a feeling I don't want to have in cinema. I'm too reactive. It's too draining to watch that kind of movie.
One of the reasons to do documentaries is that. There's more sense of creating something, more sense of my own soul in the documentaries than in movies, because I don't write the movies I do.
When people say they take hits and flops in their stride, I personally feel that they are just lying. Of course, I'm upset when my movies flop. I take it very personally.
When I was a kid I used to go to the movies, double features in outdoor theaters, and my parents used to take us to see like, 'Cat On a Hot Tin Roof' or something like that, with Elizabeth Taylor.
My fan following is intact. They only like to see me in movies, which I am still doing for them. I do not need to do any long interviews or chat shows.
Steven Spielberg was my idol growing up. I knew that all of his movies have a very specific message and point of view, and the always are really epic.
Not only do I have to live, right, I have to get some cash for my troubles - it's a scary thing, and people need to start to think about the messages that they send in the movies.
It can have an enormous effect because big budget movies can have big budget perks, and small budget movies have no perks, but what is the driving force, of course, is the script, and your part in it.
I always loved silent movies. I was not a specialist, but I loved them. And when I started directing, I became really fascinated by the format - how it works, the device of the silent movie.
Since I was 4, Julia Roberts has inspired me. I thought if I liked her enough, I'd become as pretty as her. That didn't happen, but I was obsessed and watched her movies over and over.
I watch comic book movies. Give me 'The Avengers,' give me 'Thor', those are my area. But I don't watch comedies.
I grew up in Toronto and as long as I can remember, as long as there was cable, even those old cable boxes that were wired to the TV, there have been Bollywood movies on Toronto TV.
Usually people like to categorise artists. With my films, I categorise people: if I know which one of my movies you like, I can tell which kind of a person you are.
I usually do get the tomboy parts in the movies, which is kind of like me, but not totally. I like to shop as much as Ashley, but she is a little more of a girlie-girl than me.
