It's kind of true that they just start making the same movie over and over again. It's also true that the times dictate what kind of movies get made and what kind are not. So I'm always looking for something that's a little fresh and something that I...
My siblings and I, we were raised on TV and films. Not a day went by that we weren't watching one of three movies - 'Caddyshack,' 'Animal House,' 'Beverly Hills Cop' - on rotation. Our comedy, our personalities were set watching 'Sesame Street': thes...
The elements that create glamour are not specific styles - bias-cut gowns or lacquered furniture - but more general qualities: grace, mystery, transcendence. To the right audience, Halle Berry is more glamorous commanding the elements as Storm in the...
When I saw Arnold say that he didn't need a union, because people in his position don't need it, I thought, this is a very naive way to present yourself. It's also kinda dumb about making movies. It doesn't realize how the union movement even helps t...
I'm not attracted to naturalism, I'm not attracted to behavior, I'm attracted to dance. I'm attracted to gesture, I'm attracted to singing with your voice, as opposed to having a natural manner. I'm a theater actor first, so that probably influences ...
Like the Negro League players, I traveled through the segregated south as a young man. Because I was black, I was denied service at many restaurants and could only drink from water fountains marked 'Colored.' When I went to the movies, I would have t...
Charlie: It's a great thing to have a lady aboard with clean habits. It sets the man a good example. A man alone, he gets to living like a hog.
I photograph artists, and some of them are very well known, but if you ask the average man on the street, 'Do you like Anselm Kiefer?' He would stare at you with a blank stare, because these are not celebrities. They are celebrated in a specific circ...
For me N.M.E. was a very big thing. When I first came to the United Kingdom I started taking pictures for them and I became their main photographer for five years, and that's really been the basis of everything I've been doing since.
I didn't really know how to make a film when I made 'Control'. I had to create my own language, just as I did when I started taking photographs. I never studied either one.
What I think is interesting is that the more you do, you have to invent a book of rules of what you can do and what you can't do. And the very real danger is that if your book of rules becomes a book of cliches.
They're reacting and that's wonderful. It's better than them sitting there doing nothing. I say make them react - do whatever's in your power to move the audience, and if that's where it is, and there where it is with America, sex and violence, then ...
If Abstract Expression reached for the sublime, Pop turned ordinary imagery into icons. Roy Lichtenstein and Andy Warhol illuminated the transformative power of context and the process of reproduction. Claes Oldenburg's soft ice-cream cones and hambu...
I think it's child abuse to have someone in the public eye too young. Society basically values wealth and fame and power at the cost of well-being. In the case of a child, it's at the cost of someone's natural development. It's already hard enough to...
My house is a bit like a teenager's bedroom. The kind of pictures you have hanging up on your wall say a lot about you. I've got ones of Evel Knievel, Elvis and Starsky and Hutch, signed by David Soul.
I'm not someone who gets to play The O2 and places like that, but that's the kind of rock and roll venue. The popularity of stand-up means that some people are getting to play rock star venues.
People think that because of my act that I must have a really busy mind and I must be driven. I really am not. I quite like going outside and looking at spiders on a hedge in my garden and stuff.
I've been married to the same woman for forty years, and whenever people ask us how we managed to stay married for so long, we usually say as one voice, 'What's the secret? Don't get divorced!'
I was born in Lebanon and emigrated to the U.S. and went back. I'd been raised in a French school in Beirut. Lebanon is a peculiar place, so bicultural it goes along with you. There is a Western influence, an Eastern influence. Most people are fluctu...
Amends Regret lingers, niggles. Yellow lilies on the table, gone brown in the vase. The garden we talk about, endlessly, but never begin, deterred by tough sod. On the edge of the walk, the wheelbarrow full of stones waits like an undelivered apology...
I once had a substitute teacher in my 4th grade class that was wonderful. He said learning was like throwing mud on a wall. Some will stick, and some will fall off. But if you keep throwing the mud on the wall, eventually the whole wall will be cover...
