I don't really like to go out that much. But when I do, I go to the movies, just hang out with friends. I go on Skype and iChat and just chill.
I think as long as there are folks on the fringe who want to make movies, the indie scene will still be around. I do think it's getting harder to get them seen though.
I used to watch every episode of 'Justice League,' I went to all the movies, I had the Superman lunchbox. I was enamored with animation in general and always wanted to somehow be a part of it.
Video game fans are like nothing else. You can do so many movies or so many TV things, but video games is where there is just everyone.
I grew up watching Letterman, 'Seinfeld,' 'SNL,' and Monty Python movies. But nothing made me want to get into comedy more than when 'Mr. Show' started airing.
I always loved Japanese movies. And they had an enormous impact in France - the Nouvelle Vague took so much from them. It taught us how the camera was placed in the centre of the action.
The only reason why I would like to be accepted? Because if your movies don't do well, after a while you don't get to make any more movies.
I've been very successful doing voices in movies. I did Olive, the Other Reindeer, with Drew Barrymore, and I did Cats and Dogs. My children came to some of the sessions.
We should do another 10 Bad Boys movies. I could come in in one of those electric wheelchairs, like Peter Sellers in Dr Strangelove, just shouting away.
I think the reason we're so crazy sexually in America is that all our responses are acting. We don't know how to feel. We know how it looked in the movies.
If the American public is so into morality in movies, why don't they throw more of their disposable income at religious-themed entertainment? For every 'Passion of the Christ,' there's a 'Fireproof' that comes and goes with no notice.
I was a huge Muppet fan growing up. I want to bring it back to the early '80s Muppet movies, when the scripts could have been performed by humans.
My movies have always done pretty well in the UK - 'The Matrix' films did very well in this country and I do like the crews here and the people we're working with here.
There were not fifteen people in the story department and twenty-five producers and stuff. And Roger had produced 1,000 movies and directed a couple of hundred, and their comments were always very, very specific.
I'm never interested in movies where you don't care about the people you're watching, and that's my biggest quibble about horror, that kids have gotten stupider and stupider.
Rap for me is like making movies, telling stories, and getting the emotions of the songs through in just as deep a way. And I grew up in rap and movies the same way.
I'd see movies, comedies, and I loved 'Animal House', I loved all the John Hughes stuff, but I never saw me and my friends totally represented.
We felt like we had done as much as you can do with the slasher genre. We were trying to find the next group of scary movies that were ripe for parody.
I grew up not reading fiction; I watched movies and read comic books, and one of the ways I taught myself to think about narrative was through film.
For me, it's hard to keep up with trends. I just go for the roles and movies that I feel I could add value to, or contribute to, that I feel I could portray.
I never see my movies. When they're on television, I click them away. Hollywood created an image, and I long ago reconciled myself with it. I was the French cliche.
