[Louis has forgotten where he parked] Melanie: Jesus, but if you two are not the biggest pair of fuck-ups I've ever met in my entire life. How did you ever rob a bank? When you robbed banks, did you forget where your car was then too? No wonder you w...
When I do a cooking class now, I tell people that the most important part is to read the recipe many times so you know what you're doing. What I don't tell them, though, is that sometimes I do parties where I'm rushing so much I don't have time to fo...
Debbie: The subheading reads, 'Brown and Williamson has a 500 page dossier attacking chief critic.' It quotes Richard Scruggs calling it, 'the worse kind of an organized smear campaign against a Whistleblower'. 'A closer look at the file and independ...
Coach Boone: We will be perfect in every aspect of the game. You drop a pass, you run a mile. You miss a blocking assignment, you run a mile. You fumble the football, and i will break my foot off in your John Brown hind parts and then you will run a ...
Flynn Rider: You smell that? Take a deep breath through the nose. [Breathes through nose] Flynn Rider: Really let that seep in. What are you getting? Because to me, that's part man-smell, and the other part is really bad man-smell. I don't know why, ...
I went to Brown to be a French professor, and I didn't know what I was doing except that I loved French. When I got to Paris and I could speak French, I know how much it helped me to establish relationships with Karl Lagerfeld, with the late Yves St....
It's very important in a restaurant to really do the right hiring because there's no restaurant that you have one cook and one chef and nobody else in the kitchen. Generally you have five, ten, 15 people with you. So that's really important is to tra...
I think it's what art should do: make you feel less alone - either in the quest for truth or in dealing with any pain you have.
But one of the amazing things about documentary is that you can remake it every time you make one. There is no rule about how a documentary film has to be made.
It's not always thankless. Let's face it - it's not always thankless. I've gotten a lot of really great recognition and I've worked with amazing people.
'Avatar' was incredible and totally groundbreaking, but it wasn't about utter realism. It had a great mythic fantasy to it, but the characters don't seem totally photo-real, as amazing as they are.
I have trouble with modern art. But in general, all art forms fascinate me - art is the way human beings express what we can't say in words.
I think comedy has evolved like every art form, and people probably do less standing around and telling jokes, and more things that have to do with reality.
Obviously in Art of Noise, I'm just part of the group, and when I do film scores, it's always in collaboration with the director and other people involved.
There's a side that I want to do just like really retarded arty films like parody, pretentious art films that kind of are supposed to have some deep meaning.
I loved my time doing 'Private Practice' in Los Angeles, and I was quite challenged and excited to learn about the art of television, but I missed being on the stage.
I think with the whole new Internet media, I'm not necessarily Internet savvy, but I just feel that the way that art in general will be presented to the public is going to be different.
People are surprised at how down-to-earth I am. I like to stay home on Friday nights and listen to 'The Art of Happiness' by the Dalai Lama.
I have no illusions about my art. I am what the public made me and, consequently, I am not likely to forget my debt to them.
I'm learning with my mom how to cook more Spanish food. I'm trying to make a good paella, but that's a real art.
One wants to think that - and this is really a stupid thought - that through your art or whatever you do as an actor you can actually affect someone else's lives and thoughts or whatever.
