I still want to do a romantic comedy or a western or a gritty independent film... there's so much that I still want to do.
I am not married, no. I wasn't really into the notion when I was younger, but now I think a proposal is the ultimate romantic gesture.
I'm from L.A., so I'm used to seeing people in sunglasses and flip-flops. There's something so romantic about a man in a scarf and a knitted hat.
Moving to the country is a very bold thing to do. You can have vague romantic notions about doing that, but in actuality, it can be a terrifying thing.
I always think the most romantic books or films are the ones where the romance doesn't happen, because it makes your heart ache so much watching it.
The idea of being a novelist is really romantic, but it's kind of the same as being president of the United States - it's not gonna happen.
I was comfortable in my thirties playing the romantic partner, the hero that saves the day, or the woman who is facing a world that revolves around younger kid actors.
My husband, Sal, and I put date nights on the calendar once a week. I know that doesn't sound romantic, but otherwise it won't get done.
I have always been a romantic, one of those people who believes that a woman in pink circus tights contains all the secrets of the universe.
How far away the stars seem, and how far is our first kiss, and ah, how old my heart.
When a book is just a plot, you know, two men fight for the love of a woman in a wild frontier, I immediately ask, 'Why?'
I love anywhere new and different. That's the fun of travel. I've always loved driving through Spain, France and Italy - sometimes in an Alfa Spider.
I was keen to direct an action film, and when Reliance approached me for the remake of 'Singham,' I saw an opportunity to return to my first love.
This kind of music was just hitting England, so we were getting this following in clubs in Birmingham just cause we were trying to do something different.
The hardest thing for me about making movies, and that included 'M*A*S*H' because it was made like a movie, was starting and stopping.
I've always been in the middle of making my own movies, so taking acting jobs that take me away from that has been impossible.
The tension I feel is the moment they say, 'Action!' Movies are like lightning in a bottle, and you always want to find when you possibly can catch a surprising moment.
I cry a lot, you know. Which is very difficult for a man to recognise, but I do. I cry in movies, you know, just watching movies.
I never really worked with Chris Farley, I hung out with him, but I had plans, I had big plans, movies, and I was in no hurry.
Because making movies is such an expensive endeavor, other media such as books and comics have long been a more feasible way to experiment with truly new ideas.
My existence is about making movies, so I've just got to rock and roll with the punches. You want to make movies on telephones, I'm there.
