Beatrice McCready: You'll find us in that brown three-decker by the park. You know where it is. Lionel McCready: Be hard to miss today.
Laura Brown: Don't worry, honey. Everything's fine. We're going to have a wonderful party. We've made Daddy such a nice cake.
Ben: You can tan while you make love. When you're through you've got a brown ass.
Mr. Brown: I'm blind, man. I'm fucking blind. Mr. Orange: You're not blind, you've just got blood in your eyes.
R.F. Simpson: Lina, you were gorgeous! Cosmo Brown: Yeah, Lina, you looked pretty good for a girl.
[after picture is shown where Kathy is singing for Lina] Cosmo Brown: Lina, you were fabulous. You sang as good as Kathy Selden.
Molly Brown: Ain't nothing to it, is there, Jack? Remember, they love money so pretend like you own a gold mine and you're in the club.
Those companies that don't see the black and brown communities are missing, out of their closed eye, talent, which leads to money and growth. When baseball, football and basketball couldn't see the field, they missed talent and growth. The same is tr...
The mainstream media spins stories that are largely racist, violent, and irresponsible - stories that celebrate power and demonize victims, all the while camouflaging its pedagogical influence under the cheap veneer of entertainment.
I have values. But morals are Christian. There's no religion here. Values. Don't hurt when you don't need to, but don't let anybody step over that line - it's an invisible line, but it's respect for somebody's space.
People think when you get a record deal all your problems will go away. We know that the bigger we get, the more problems we'll have. I guess Puff Daddy was somewhat - what's the word? - prophetic in that respect.
As artists, it's tempting to forget the audience's needs. Too often, we're self-centered and self-indulgent in what we share with the world. We're prideful, only showing what we deem as perfect or what we think our peers will respect.
There are so many things to think about when you make an album. Like, who am I trying to impress? Am I going to get respect, critical acclaim? Or am I going to sell lots of records?
Shooting a film is like a kismet quest. You have thirty days and you need magic to happen. So that's why I wear suits. I'm praying to the gods, and I'm doing everything I can to respect the powers of the world.
People treat you according to your energy or what you put out there, so what I put out there is very open. I'm not paranoid or scared, I'm open. That's how I treat people, with respect and speak truthfully.
I'm incredibly sad that my mother's not here to see my kids and that my kids don't get to know her. And she didn't meet my husband. That's one of the hardest things. I don't even know how to put that into words.
Because I select my players from a feeling that comes to me when I am with them, a certain sympathy you might call it, or a vibration that exists between us that convinces me they are right.
I've been lucky to travel and work all over the world through the lens of the back of the house, and I love that monocle. I love that lens, because it's real people.
It's a myth that generally Asians are mostly vegetarians. The Japanese are the kings of red meat, but it's expensive. The Chinese and Vietnamese love their pork. Many Indians, especially the Muslims, can't live without their lamb.
Men always look smart in a well-fitted, tailored suit. Conversely, they can be incredibly handsome in jeans combined with a cashmere jumper or a beaten-up leather jacket or even just a cotton T-shirt.
We all seek approval, and our mother's seal is usually the most important. The nitty gritty is that we have to accept ourselves, even if it is just to be ready for the next cut-down. Mom's blessing or not.
