One of the things that separates a good genre movie from a bad genre movie, I always think, ironically, is when you care about the people. The dime a dozen ones are where you don't have any awareness of the character.
It's hard because I seek out strong female roles. I turn down a lot of stuff, not because it's not good, but because I don't want to play certain types of characters. I don't like to just play the pretty girl.
I know myself - I cannot just play a cliche. It has to be a character; it has to be written with the complexity of the human being behind. Could be bad, could be good, could be someone we would hate, but still, I need a reason for that influence, and...
I believe in plot, in development of character, in the effect of the passage of time, in a good story - better than something you might find in the newspaper. And I believe a novel should be as complicated and involved as you're capable of making it.
If you got a good imagination, a lot of confidence and you kind of know what you are saying, then you might be able to do it. I know a lot of colorful characters at home that would make great actors.
The way I wanted to write it, is with a hero, or sort of a pure character who was the protagonist. And the antagonists were these demonic evil children, cause when you're a kid, seven or eight years old, and you're looking at the world around you - e...
I was able to work out all sorts of attitudes to style and event and character, all of which affected the way I came to think about my own writing. I believe that all good writers are original.
I love Los Angeles, and it's been very good to me, but if everyone is running around telling the stories, who's living them? You don't play characters that are celebrities - you play guys who know what to do when their septic tank's blocked.
As the nation watches, Democrats and Republicans should reflect the interspersed character of America itself. Perhaps, by sitting with each other for one night, we will begin to rekindle that common spark that brought us here from 50 different states...
Most good fiction also has a character the writer seems to know more deeply than anyone can actually be known in life, but a few unusual writers can make something great without that.
I would love to do anything involving a good strong character, whether it's in film, TV or theatre. My dream role's already been taken by Keira Knightley in 'Pride and Prejudice.' Growing up, I really wanted to be Lizzie Bennett.
When I start writing these novels, I go into them with a spirit of inquiry rather than to substantiate prejudices I had in the beginning. If you don't do that, you can't write good characters.
Taking a comic strip character is very hard to write. Because comics are meant to work in one page, to work in frames with minimalistic dialogue. And a lot of it is left to the imagination of the reader. To do that in film, you've got to be a little ...
I was kind of a cross between Kristy and Mary Anne among 'The Baby-Sitters Club' characters. I was shy, but I was also kind of a tomboy, and I was really good at sticking my foot in my mouth even though I was shy.
All the writing elements are the same. You need to tell a good story... You've got good characters... People think there's some dramatic difference between writing 'Little Bear' and the 'Hunger Games,' and as a writer, for me, there isn't.
When you say the name Gilligan, you know who that is. If a show is good, if it's written well, you should be able to erase the names of the characters saying the lines and still be able to know who said it. If you can't do that, the show will fail.
If I'm practicing making up what the characters will do, it's never good. In fact, when I catch myself doing that, I try to get rid of that section, and try and let them start making the decisions.
No matter how full a reservoir of maxims one may possess, and no matter how good one's sentiments may be, if one has not taken advantage of every concrete opportunity to act, one's character may remain entirely unaffected for the better.
Clearly, Simon Baz brings such a different viewpoint to 'Green Lantern.' The very nature of the corps concept of overcoming fear, I felt Simon was a great character to explore, while getting a different viewpoint on things.
I was shooting a mini-series for Sundance/BBC, called 'Top of the Lake,' that was shot by Jane Campion, who's a beautiful native New Zealander and famous film director. The role I was playing was very intense, and they shaved half my hair off. So, I ...
When I was starting out, I thought I would go into comedy and there would be a mentor, like the Philip Seymour Hoffman character in 'Almost Famous,' in my life, and there just wasn't. It was really frustrating for me because I desired that so much.
