And at NYU, I went to the Atlantic Theater Company, and they have two main points. One of them is to always be active in something instead of just feeling it. And the other is figuring out your character.
One of my favourite actresses is Kate Winslet. She plays strong female characters and seems like she has a strong political awareness. I really like Naomi Watts and Juliette Lewis.
I feel like I've come out of this grown up, maybe because I live through the character vicariously and she grows up so much during the course of this story.
If you know your characters well enough, you aren't trying to grasp for storylines. You're really thinking about their flaws and their passions and what they're chasing.
It's the misfortune of German authors that not a single one of them dares to expose his true character. Everyone thinks that he has to be better than he is.
People build up a picture of Johnny Depp as being some sort of weird pirate character. In reality he's incredibly nice... one of the nicest people I've ever met.
As a child, I always liked dressing up and getting into character, and actors are lucky in being able to retain that playfulness, though we do seem to find it hard to grow up.
The past could liberate or imprison - it creates a nation's character, provides the nourishment or the poison a people imbibe in their very marrow.
He will therefore seek to establish for his country in the eyes of the world, such a character as shall make her not unworthy of the name of a Christian nation.
I don't think you can ever completely transform yourself on film, but if you do your job well, you can make people believe that you're the character you're trying to be.
The overman...Who has organized the chaos of his passions, given style to his character, and become creative. Aware of life's terrors, he affirms life without resentment.
All my stories are about the action of grace on a character who is not very willing to support it, but most people think of these stories as hard, hopeless and brutal.
I did that all the more, if I may say so, because I was aware of the fact that there is an inclination to go to extremes in German people, and in the German character generally.
In a lot of films, they're showing more complete, developed characters of diverse ethnic backgrounds. The larger concern is to be able to tastefully explore the stereotypes, and still move past them to see the core of people.
In the course of our journey leading to Consciousness, our objective should not be creating a positive character, and thus a pleasant scenario, but finding the Existence behind every scenario.
When I did 'Alien: Resurrection', a lot of the guys worked on planned production, and one of them was really into comic books and would draw all sorts of characters, and I was impressed with his sketches.
Oftentimes, in fact I think this is to my fault, I look at usually scripts as a whole. I should probably pay more attention to the character that I'm going to play and what they do.
A while ago, I did a television adaptation of 'Bleak House,' and the character I played, as far as I was concerned, had no redeeming features whatsoever. I wasn't about to try to find any; I didn't need to.
My face lends itself to austere characters, and unless they're two-dimensional, I will do them. Any actor will tell you that an interesting villain is much more interesting to play.
Well, you know, I don't think anyone who writes a television series has a master plan from the beginning, and knows all the character traits, and everything that's going to happen.
As an artist, there's so many categories that you're put into, that there are so many things that I'm about that I've never explored as an artist on film. I don't see myself in so many characters in film.