So I never spend a lot of time analyzing why people respond to my work. But I think that it's just the joy, a passion for life, that I think has always been in my characters. Beyond that, I'm just grateful for it.
In movies and TV, we tend to fall into tropes about how characters might get out of problems. But when you look at real life, you realize that there is a lot of drama of not being able to get out of the problems.
The last episode of Dallas was in '1991.' Unfortunately, it was a terrible episode to end the show on: it was a sort of 'It's a Wonderful Life' with Larry as the Jimmy Stewart character. In that episode, I was an ineffectual-schlep kind of brother, w...
The trite answer is that everything is true but none of it happened. It is emotionally true, but the events, the plotting, the narrative, isn't true of my life, though I've experienced most of the emotions experienced by the characters in the play.
My characters all have issues, but I don't see that as weird or abnormal because I think in real life there are very few bland, normal people.
In real life, people are integrated into society. That's what happens in my books as well. Minor characters don't just walk in and spout lines, they interact and have an effect on the events. It's not an isolated universe.
The only virtue a character needs to possess between hardcovers, even if he bears a real person's name, is vitality: if he comes to life in our imaginations, he passes the test.
'Crucible' was going to be a 'passing of the torch' story. So something that was big enough to be worthy of that, that could show these characters being changed - along with their respective outlooks about life, the galaxy, and the Force - was Mortis...
We must consider the distinctive characters and the general nature of plants from the point of view of their morphology , their behavior under external conditions, their mode of generation, and the whole course of their life.
There's so many different people that I'm fascinated by. Different kinds of characters that I meet in, like, everyday life, that I'm like, 'I don't know how you exist. Like, you're so fascinating.'
I try to research or make up for myself what happened in any character's life. From when he was born until the first page of the script. I fill in the blanks.
The biggest similarity between me and my character is that we've both played clubs for 20 years. In real life, the clubs aren't quite as controlled - and my hair isn't quite as in place as it is on 'Ally McBeal.'
I've been around - having gone to Princeton, and I went to Oxford after that - some pretty fancy characters in my life. And they're just as nutty as the rest of us - sometimes worse.
The interesting thing about fiction from a writer's standpoint is that the characters come to life within you. And yet who are they and where are they? They seem to have as much or more vitality and complexity as the people around you.
'Cars 2' is about a character learning to be himself. There's times in our lives where people always say, 'Well, you've gotta act differently. You should always be yourself.' That's the emotional core of the story.
I love accents - I wish I could find an accent for every one of my characters. It makes it so much easier when I don't have to hear my own voice.
I've always loved film and wanted to work in film. I just love working and creating new characters, and trying different genres and different things. For me, I just love to work and I love movies.
I think that I have this core group of fans that fell in love with the character I played on Buffy and now they're following me to everything I do. They're very dedicated and loyal. I'm very lucky.
I think vampires are different from human beings, but they're sentenced to eternity on this planet. They have the same confusion about love and permanence, integrity, and denial. These qualities really are the same in vampire characters as in humans....
'Agent Mom' is a perfect opportunity for me to do what I love... develop characters, act and take incredible stories to my fans. So yes, I can absolutely see myself cast as 'Agent Mom.'
I love it when you like a character, and then she does something you don't like, and you hate her for a while - then you love her again. I'd like to see her have unlikable moments that the audience understands and sympathizes with.
