I read mostly science-fiction and fantasy when I was a teenager, and I was always drawn to stories where the characters had telepathic powers.
I just have my own taste, and I just try and stick with that. I'm just trying to play as many characters as I can for as long as I have an opportunity to.
Life is a book that someone else is reading—and you, a key character—hence the need for continual conflict and resolution. We can't have any boring books.
When you watch it, you're like, Wow. I look like that. But it doesn't feel like that at all. It was about communicating with Gale Harold and getting across what I wanted to say about the character.
With writing fiction, I'm either not courageous enough or just not suited for telling truths in a more conventional way. As an actor, I inhabit those characters as I'm writing them.
'Deadwood' was just a wonderful opportunity for me. Outside of my own things that I've written, I hadn't had the opportunity to play a character with that amount of depth and range.
I actually then went on to direct an after-school special where one of the characters was deaf. They hired me without even knowing I had any connection to the community.
The psychoanalysis of neurotics has taught us to recognize the intimate connection between wetting the bed and the character trait of ambition.
Life is a test. A test of Character and Strength, experience is our study guide... so remember what you learn and more importantly-apply it.
Movement is very important to a character, no matter what period you're working in. So when it came to playing Emma Jung and lacing up in the corset, it was really not a foreign thing for me.
Movie characters rarely get to think out loud or talk very much about their emotions. Instead they have to, very briefly, show their feelings through their action or through dialog.
The severest test of character is not so much the ability to keep a secret as it is, when the secret is finally out, to refrain from disclosing that you knew it all along.
For me, acting comes straight from the heart. In that sense I don't act at all. I think that to feel the character's pain I have to be myself. Somewhere audiences see that.
As far as anybody in the rap game ever tryin' to assassinate my character, that's impossible. You talkin' about a man who has always walked the walk and talked the talk.
Change comes by substituting good habits for less desirable ones. You mold your character and future by good thoughts and acts.
I've learned to let my characters speak and act the way they want to! I've tried to interfere but they just get angry at me and throw big rocks.
You don't service a big, fun premise comedy and then shoot yourself in the foot with too much irony. You need the audience to invest in the fun and the warmth and generally care about the characters.
A lot of vices that I've had over the years were always to make up for some sort of character deficiency, one of them being shyness.
In disposition the Negro is joyous, flexible, and indolent; while the many nations which compose this race present a singular diversity of intellectual character, of which the far extreme is the lowest grade of humanity.
The mere holding of slaves, therefore, is a condition having per se nothing of moral character in it, any more than the being a parent, or employer, or ruler.
But there is something seductive and the character, Alfie is so charming, and does make you think like you are the most important thing in the world but he's not that nice, is he.
