When you work on anything, you want to find the range of impulses - which ones get portrayed is another question, but you want to have that complexity and that fullness, even if you're playing a cartoon character.
I made a decision not to work out because I'm lazy and also, the character is not a superhero. I didn't want him to be a buff guy with Jackie Chan moves because the point is he's smarter than your average Joe.
Tommy Lee Jones is hilarious. I would say, if you look at the body of his work, the character he is most like is the one in 'The Fugitive.' That's how he talks and jokes. That is the type of energy he has.
Every once in awhile I like to play dark ladies, crazy ladies, but most often I look for characters that are strong, intelligent, caring - usually earth women, because that's basically how I see myself.
I just want to keep writing characters who are interesting and complicated people and interesting roles for women, in TV or film or in theater. I think that's like my 'Blues Brothers' mission.
Older women know who they are, and that makes them more beautiful than younger ones. I like to see a face with some character. I want to see lines. I want to see wrinkles.
I like characters who are larger-than-life, whether life-loving women or the artist or guru who grabs everything. But I don't live among people like that.
I grew up with 'Jane Eyre,' reading it at school, and it's one of those, I think, for a lot of women, a lot of girls, it's the iconic story and so many girls relate to Jane Eyre and her character.
With Vietnam, the Iraq War, so many American films about war are almost always from the American point of view. You almost never have a Middle Eastern character by name with a story.
There's no better way to test a person than to put them in the middle of a war. That's clearly going to show what kind of a character you're telling a story about.
. . . when we take upon ourselves his yoke of obedience, his yoke is easy, his burden is light (Matt. 11:28-30). When is a burden light? It is when we find our burdensome lives caught up, elevated, borne aloft by something greater than our lives. Mis...
When we understand the character of God, when we grasp something of His holiness, then we begin to understand the radical character of our sin and hopelessness. Helpless sinners can survive only by grace. Our strength is futile in itself; we are spir...
A memory came to me. One time, in middle school, a famous author came to talk to our class and give a writing workshop. One of the things she told us about writing a novel was that the story should be about what the main character wants. Dorothy want...
If there is one thing developmental psychologists have learned over the years, it is that parents don’t have to be brilliant psychologists to succeed. They don’t have to be supremely gifted teachers. Most of the stuff parents do with flashcards a...
Affronts to her reputation pierced her to the heart, though I couldn’t understand why, since she had very little character left to defend.
Since I am never alone with myself. Since I am always watching the character playing my part in the scene, there is no possibility of spontaneity.
Most gothics are overplotted novels whose success or failure hinges on the author's ability to make you believe in the characters and partake of the mood.
That means life itself is a fairy tale. Like the characters, we all live and love and search for a happily-ever-after.
The power of thought is the light of knowledge, the power of will is the energy of character, the power of heart is love. Reason, love and power of will are perfections of man.
The witness of solid moral character to a righteous way of life must never be underestimated.
She was like a heroine in a novel that she herself was writing the character kept protesting that she was too strong for love and yet the narrator went on describing her desire.
