It was kind of scary because working with Woody Allen becomes sort of a big deal in your mind. He directs in that Woody Allen character some of the time - he has these idiosyncrasies that are really charming and funny.
Comedy needs to happen naturally and be in touch with the character. When you see that guy in your office that everybody laughs at, he doesn't think he's funny. He's just being him, and that's the joke.
What I did was take the Jesus of the Gospels, the Son of God, the Son of the Virgin Mary, and sought to make Him utterly believable, a vital breathing character.
God's arrows of affliction are sharp and painful so He can get our attention. He won't let His beloved children get away with sin because He knows it robs us of blessings, opportunities, and even character refinement.
My films are very rooted in specific people's point of view. Some film-makers give a more global point of view, like God looking down at the characters.
I've been blessed with some lovely scripts and a character that people could truly identify with. It's one of those surprises in life that makes you think, 'God was smiling on me that particular day.
The character as well as the fortunes of the gospel is committed to the preacher. He makes or mars the message from God to man. The preacher is the golden pipe through which the divine oil flows.
I think leadership is more than just being able to cross the t's and dot the i's. It's about character and integrity and work ethic.
Generally, I think most of my writing tends to have some kind of magical element to it. That's the way I can access the emotional life of the character.
Ultimately, physical resemblance isn't as important as whether this person can bring this character to life in a way that's compelling and makes me care about what happens to them.
All of us want something in life, all of us have flaws, and all of us have strengths. So, I always try to discover those things in a character and then try to expose it in one way or another.
I don't think my looks are modern. I always imagined I'd end up doing Chekhov, Ibsen and Shakespeare all my life and never play a contemporary character.
I'm sort of a reverse Method actor. In my personal life, I become my characters. After 'One Tree Hill', I started dressing in Converse and ripped jeans and hoodies. On 'Awkward', it manifests in how I speak.
A man with a so-called character is often a simple piece of mechanism; he has often only one point of view for the extremely complicated relationships of life.
There's a theory that says that life is based on a competition and the struggle and the fight for survival, and it's interesting because when you look at the fractal character of evolution, it's totally different. It's based on cooperation among the ...
After 'Life Unexpected' ended, I wanted to do something that was completely different from Lux and that show. I wanted to be able to keep my fans, but not have them confused about who I was or what my character was.
One of the things I really love about TV is this symbiotic relationship you can get between the writers and the actors, and the characters start to come to life because you start to collaborate.
I'd never really been in a series, where you see a man at different points and perspectives in his life. Usually it's a film, where I'm playing a character who just comes in and offers something up.
I have my ethics and morals. I have my anchor point of what is right and wrong in real life, but I'm not afraid to entertain any and every aspect of personality in relationship to creating a character.
Religion of any form is a sacred matter. It involves the relation of the individual to some Being believed to be infinitely supreme. It involves not merely character and life here, but destiny hereafter, and as such is not to be spoken of lightly or ...
The thing about 'Batman Begins' is that he's a character that people thought they knew a lot about, and yet you're able to identify the spirit in his life where even in the comic books it's not explored that much.
