Films are really cool because, every couple months, or however many times you can get a job because there's a lot of luck involved in that, you're playing a different character.
Writers seldom choose as friends those self-contained characters who are never in trouble, never unhappy or ill, never make mistakes and always count their change when it is handed to them.
If death meant just leaving the stage long enough to change costume and come back as a new character, would you slow down? Or speed up?
We're always trailing, as far as the amount of roles that are written for us and the films that are being made that have black characters in them. I don't know if that's going to change.
Changes have taken place since year one. When Caruso left, that was a big change. We've been able to adapt nicely. It's given us new opportunities for different characters and story lines.
Every film you're commissioned to write is all about an arc; usually, the arc is that the world creates a change in the character, usually for the better. To not have an arc, the messages and ideas in the film became more prominent.
I'm very, very leery of nonfiction books where they change timeframes and use - what do they call those things? - composite characters. I don't think that's right.
Most importantly, nothing has happened to change my conviction that freedom and the love of liberty remain the essential defining attributes of our national character as a people.
Movies are open doors, and at every door, I change character and life... I live for the present always. I accept this risk. I don't deny the past, but it's a page to turn.
I started to look like a cartoon character with the fringe and the catsuits. Yes, I want to change and mix it up. I want to change my hair, change my style. I want to be allowed to grow.
I've always loved shows that combine both approaches - that have a mythology and a set of characters, whose stories develop and change, and where the relationships evolve and fracture.
There are a lot of pros to doing a film, as far as it helping your film career, and it is completely different financially. But theatre is the only place where you get to actually be the character, and nobody is going to come around and change it lat...
All legitimate government is a mutual insurance company, voluntarily agreed upon by the parties to it, for the protection of their rights against wrong-doers. In its voluntary character it is precisely similar to an association for mutual protection ...
I still like the relationship part of any story. You don't want your character to figure everything out and then at the end of the day, go home and eat soup from a can by herself.
I consider 'White Collar' my home base. I'm so lucky to get to play a character that's very multifaceted and the writers take risks on and never get into a staid process with.
When it comes to developing character strength, inner security and unique personal and interpersonal talents and skills in a child, no institution can or ever will compare with, or effectively substitute for, the home's potential for positive influen...
It is no accident that I made Cartoon Town a simple little village - in many ways it mirrored my home town. And, yes, many of my puppet characters took on some of the more eccentric characteristics of people I knew there.
It's not about finding Mr Right, or that sort of conventional ending, but I do want my characters to have hope - and that's what I do with all my stories.
The most I could hope for is to come and try and develop a character who is interesting, who is interesting to me, who is interesting to fans and who could contribute to the storytelling that is 'Law & Order: SVU.'
I hope I shall possess firmness and virtue enough to maintain what I consider the most enviable of all titles, the character of an honest man.
I wanted to show those characters discovering it is possible to find common ground, as they make their way through a plotline that I hope is engrossing enough to keep the reader a willing participant.
