'Pigeonholed' isn't the right word, because I feel like I've had a very wide range of characters that I've been allowed to play.
My name is Ella; that's who I am at school, hanging out with friends, while I'm doing homework. But when I'm up on stage, 'Lorde' is a character.
Good fantasy fiction: ... explores real human conditions through fantastic metaphors which universalize the characters' individual experiences to speak personally to us all.
Don't worry so much about your self-esteem. Worry more about your character. Integrity is its own reward.
I felt like I was flying without a net. But once I realized that the audience was my partner, I was flying a jet, because the people would allow me to develop the character on stage.
Part of me becomes the characters I'm writing about. I think readers feel like they are there, the way I am, as a result.
Flaws make us all human, and you're rooting for characters because of those flaws. It's ageless if you're interested in relationships and the way people can or can't relate to each other.
And I tell ya, when I sit in that sound booth and started reading the script and starting to get into the character, man, it's an easy jump for me, because I understand what it's all about.
I definitely feel that plot flows from character. I don't believe that you can construct a plot and insert people into it.
I did 'Shameless' on Showtime, and I felt like I really tried to go super-method with that, and it would just make my days really hard to get in and out of character.
I'm not interested in cutting the feet off my characters or stretching them to make them fit my certain political view.
When we read, we are doing more than delectating words on a page stories, characters, images, notions. We are communing with the mind of the author.
The fact is, it was a big show. We were a part of that show. Everybody watches for different reasons. There were some people who were tuning in that day to see what was going on with other characters.
After doing this, going away, trying other things and working on other shows, this character, and working within Days of Our Lives, has been one of the most enjoyable experiences in my career.
For some reason, they always gave me a fat suit in high-school productions. If there was a character who needed to be robust, they gave me a fat suit, and I put on a silly voice.
All the parts I get offered are character and comedy parts, and I probably wouldn't get them if I had a different face. So I'm glad I have a comedy face.
We like to put people on a pedestal, give them one character trait, and if they step outside of that shrinelike area that we blocked out for them, then we will punish them.
I've sold 11 of my books to Hollywood. There are all kinds of my books on shelves in Hollywood because the scripts didn't capture the characters.
Cliched characters are cliches because they're people being described by people who are on the outside. If you take two sentences from anybody and reduce them to just that, that's what you're going to get.
Marvel does a fantastic job about bringing human stories - because you're telling big stories with a heart at the centre of it - and that's what connects all of the characters to our audience members.
I like to take chances. The actors I admire are the ones who aren't afraid to make themselves nasty, bad or even goofy. I've never shied away from controversial characters.
