I am a character actress. Well, let's say, I am a leading character actress who does interesting, odd parts.
With acting, you have to become someone else. That's the fun part of it for me - to step outside of yourself and become a character. I guess being Jimmy Cliff is a little bit of a character, too.
Chairman Mao not only introduced Pinyin in China, but also simplified half the Chinese characters, believing that fewer strokes would enable more people to learn to write the characters.
'm really proud of it. To me, it's a movie about character behavior and the pecking order of the pack, as well as the central character's massive survival guilt.
I rarely return to characters. My characters, at least most of them, are much more a part of that superorganism that is the story than separate and independent creatures.
Look at the Coen brothers. All their minor characters are as interesting as their protagonists. If the smaller characters are well-written, the whole world of the film becomes enriched. It's not the size of the thing, but the detail.
I don't think voters give a hoot about the character of their political advisors, except to the extent that character reflects on the candidates.
I'm a character actor but unlike a lot of character actors, I don't look radically different from film to film and there was a bunch of them at once.
I'm really proud of the characters I've been able to play. Certainly, playing the character on 'CSI' as Dr. Sherman Hawkes is a wonderful stereotype-busting role.
I've always liked the downtrodden character on different shows. Before 'Parks,' I loved the Toby character on 'The Office.' I do like playing that type of thing.
The day people around me stop questioning my character is the day my character begins to grow vulnerable.
We don’t read to observe the character from a distance. We read to become the character and experience the conflicts and rewards they are experiencing.
Character and Plot...Character and Plot Some writers have it and some do not This I'll tell you Brother You can't have one without the other
What a director really does is set the emotional temperature and the mood and the level, amount, or lack of, distance between the action and the character, and the character and the audience.
Actually the copies of characters is something I don't particularly like to talk about in articles but just for your information, most characters there's only one.
I look at characters to see if they have some contrasts to play with; I think that's always what I'm looking for in characters: ones that have a wide range of expression.
I find it very hard to sit down and create an idea or especially a new character on command. Usually my characters evolve by accident out of some story context.
It's true I have a hard time with the notion of creating a character. And I feel it's a limit. I'm always really impressed by actors who are able to construct a character, like Johnny Depp.
On 'Swingtown,' I think that's when I was able to blend the character-slash-leading lady roles, and that's what I'm doing on 'Once Upon a Time' as well. She's a leading lady, but she's also this character.
'The Walking Dead' never wants you to get too comfortable with characters and cast members. I think about the time you feel fairly secure with your appreciation of a character is about the time the show will gut-punch you.
If it's time for your character to go, it's time for your character to go - you know what I mean? That's it. It doesn't matter who you are.
