Usually I'm frustrated when I look at my films and I don't believe that I've made a real transformation beyond my usual sets of gestures and expressions. I still have this nagging feeling that it's me, that I didn't create a unique character.
I don't think it's at all weakening of the system if people with the same last name put themselves forward to the electorate, when their experiences, their character, and in my case, gender, may be different.
My character is meant to know nothing about rap, and not to like it very much, but I know about it, because my kids make me listen to it. There's some rap I do like very much. I like Eminem, Blackalicious.
At the end of your lives you will not be judged by academic successes, the degrees or diplomas earned, the positions held, the material wealth acquired, or power and prestige, but rather on the basis of what you have become as persons and what you ar...
In New York, the street adventures are incredible. There are a thousand stories in a single block. You see the stories in the people's faces. You hear the songs immediately. Here in Los Angeles, there are less characters because they're all inside au...
Third person allows a deeper exploration of the relationships between characters. We can see their misunderstandings and hear what they think about each other. We can create a more complex structure with various story threads running parallel.
Like the character I played in 'Jekyll', we all have different masks we put on for different occasions. As much as we all want to lead decent lives, we're also attracted by the idea that something dark may lurk within us.
There is nothing new, from Greek mythology to Shakespeare to every romcom ever made, we're just reimagining the same 12 story plots over and over again - so what makes people keep watching and listening? It's all about the character.
A lot of people that make films say, 'We need this kind of character. Who's done it before? Get them to do it again.' That is exactly what actors are pushing against. It's kind of a cliche to talk about being stereotyped in that way, but it happens.
My interest in astronomy grew from the play 'Space' that I did, where I had to learn where my character was from. I had to study the stars and figure where everything was and how I got here and all of those things.
[When under stress I thought of] the books I had read [and applied] them to myself. I [imagined I was] one of the characters [and soon found myself] in made-up circumstances which were most agreeable to my inclinations.
I like to have my characters talking in an up-to-date way, and I like their essentially modern self-awareness, which means we can have lots of irony and jokes.
I take little bits and pieces of ideas that I may or may not believe in but I give them to this character and he runs with them. I have fun with however he handles the situation.
Character is doing the right thing when nobody's looking. There are too many people who think that the only thing that's right is to get by, and the only thing that's wrong is to get caught.
I embrace my blackness, just as I do my conservatism and my Christianity, but I don't want to be defined or pigeonholed by any one of the many elements that make up my character.
Patience is a virtue Savannah, to tolerate delay. It implies self control and forbearance, as opposed to wanting what we want when we want it. Something to think about. . . Catherine Weaver (Character), "Terminator: The Sarah Connor Chronicles
'Deep Red' (1975) is my favorite movie. The character David Hemmings plays is very much based on my own personality. It was a very strong film, very brutal, and of course the censors were upset. It was cut by almost an hour in some countries.
Her characters tend to err when they reject the grubby and complex circumstances of everyday life for abstract and radical notions. They thrive when they work within the rooted spot, the concrete habit, the particular reality of their town and family...
Storytelling is ultimately a creative act of pattern recognition. Through characters, plot and setting, a writer creates places where previously invisible truths become visible. Or the storyteller posits a series of dots that the reader can connect.
When I imagine changing places with her I get the feeling I do on finishing a novel with a brick-wall happy ending---I mean the kind of ending when you never think any more about the characters.
Machines are becoming devastatingly capable of things like killing. Those machines have no place for empathy. There's billions of dollars being spent on that. Character robotics could plant the seed for robots that actually have empathy.
