If I was a bad character that got away with murder like we see on other shows, I do not think I would like it because that sends a message that you can do these horrible things and never pay for it.
When I write fiction, I never try to deliver a message; I just want to tell a story. But I admit that I want the story to be memorable and the characters to touch the reader's heart.
As good surgical doctor works on a patient in the theater with varied kinds of surgical instruments, so a true leader also needs a clean bag of leadership characters that vary from task to task. One-way leaders are obvious failures!
In every character that you play... I mean, I don't think I'll ever be the type of actor or performer per se who transforms, you know? Like Claire Danes transforms into Temple Grandin - I'm not gonna do that.
The thing about the performance part... starting with improv and standup, you're starting with yourself as the character, and I don't feel as much like, 'Oh, I'm a vessel for -' I feel like someone who calls themselves an actor is a vessel.
When I started off with Trainspotting, it was the way the characters came to me. That's how they sounded to me. It seemed pretentious to sound any other way. I wasn't making any kind of political statement.
After appearing for eight seasons as a beloved character on 'Supernatural,' it's not surprising that I get most of my recognition on the street from that, and it happens with some frequency. But I'm not a guy who gets recognized often.
I declare I would rather be a kitten and cry, 'Mew!' than live as I see many of my female acquaintances do, tearing each other's characters to pieces, and wearing out their lives in vanity and vexation of spirit.
'Knockemstiff' is a collection of short stories set in the holler of the same name in southern Ohio where I grew up. I tried to link the stories together through the place and some recurring characters.
I before E except after C. Weird? By rebelling against the rules the word itself denotes its very meaning: of strange or extraordinary character, odd, fantastic. I think all writers are weird.
In the acting community in New York we call 'Law & Order' 'grad school,' because everyone eventually does a 'Law & Order.' My first one was in 1995, which was a year after I got out of school. Matthew Blanchard was the character's name.
When my lady and I sit down and watch TV, I find she gets annoyed at characters because they don't do what she would do in the situation. I'm always like, 'Well, she has to do that because that's what the story is.'
If you focus on the humanity of your stories, your characters, then the horror will be stronger, scarier. Without the humanity, the horror becomes nothing more than a tawdry parlor trick. All flash and no magic, and worst of all, no heart.
When I was 18 and not sure whether I wanted to be an actor, I realised that a playwright has no voice without an actor. That's my reason for acting: to get that character as right as possible for my writer. And I have never changed my philosophy.
I think for me, the imaginary world was always exciting. I started in New York doing theatre, from having just one person in an audience to performing for a full house. I think I've always enjoyed playing different characters, blending into different...
When a character does something appalling but you still want to root for them, I find that the most exciting challenge to play, if you can pull it off. You're not supposed to like it, but you can't help it.
I never go into a scene - ever, ever, ever - thinking, I have to make myself more empathetic toward the audience. Once you start doing that, you get into really dangerous territory. I think you start to become kind of untrue to the character.
I'm a massive daydreamer. I'm constantly lost within my own fantasies and my own thoughts personally, and I think maybe that is sort of represented in what we do for a living, the fact that we make believe everything and we escape into these other ch...
Kids kill a show! It's, like, a fun concept when the character is pregnant, but then if a show runs for a while, I'm sorry, but it gets annoying when it starts to talk. You get a child actor in there, and unless that child actor is freakin' awesome, ...
I loved all fantasy, and I always thought that the ideal job as a performer and an entertainer would be to take on a mythical character, you know? Make someone up. Give them a voice, a mannerism, whatever. I always thought that that was the coolest w...
None but the most blindly credulous will imaging the characters and events in this story to be anything but fictitious. It is true that the ancient and noble city of Oxford is, of all the towns of England, the likeliest progenitor of unlikely events ...
