Acting is not as difficult as you may think. People are born natural actors and play many parts on the stage of life. Everyone is constantly in front of an audience — or performing monologues when alone.
Sigh. Here's another fine woman that historians can't believe was real. Of course she was real. Not only is there a splendid Chinese poem called "The Ballad of Mulan", there is also n excellent cartoon by Disney.
It seemed like my professional life would take a more scientific route. I guess that plan started to become undone when, at the age of 17, I happened upon a screening of Alain Resnais' 'Hiroshima Mon Amour,' and it took my breath away.
Beauty and the Beast seemed like it all was really brown. The whole thing was just so brown and orange and yellow, like Burger King or something. I don't think I would have liked Beauty and the Beast at any age.
I called all adults by their first names, and my mum was just another adult. I was the firstborn of my generation in the family, but because I was so close to my parents in age, they treated me with a kind of adult respect. They talked to me as an eq...
I adore art... when I am alone with my notes, my heart pounds and the tears stream from my eyes, and my emotion and my joys are too much to bear.
I think physical comedy is an amazing asset because it tells a story that's more universal than just language and dialogue. I grew up watching Charlie Chaplin and Buster Keaton. They're very powerful figures in my life.
Motion capture is amazing. I prefer it. You wear a 'Power Ranger'-esque suit, you have tape balls on you, you have 60 cameras around you capturing your every movement and there's no hair, no makeup.
I went to art school in Chicago for a year at Columbia College. I had this whole master plan of getting into sustainable development and green architecture and construction, so I wanted to go to business school and then get my masters in construction...
I started to understand that for me, art was no longer about self-expression but about creative engagement with the world. I started to respond in an excited way to making work inside an industry and not feeling the constraints of audience expectatio...
If I were a carpenter, I'd find a way to empower using that skill. I'm using as much as God has given - my mind, my voice, my heart, my art forms. This is the highest form of expression on the planet from God, to me, to you.
Usually in France we prefer to say bad things about the Nouvelle Vague, but I'm always impressed with its freedom and the fact of not making a film to give your opinion but just as a piece of art, which to me means the Nouvelle Vague.
Art is not an investment. Art is something you buy because you are financially solvent enough to give yourself a pleasure of living with great works rather than having to just see them in museums. People who are buying art at the top of the market as...
Some prescient American collectors, including Vicki and Kent Logan and Mera and Donald Rubell, began collecting Chinese art before 2000 with a genuine passion, but as the auction prices exploded everyone was beating a path to the galleries and artist...
When Nixon opened the door to China in the early 1970s, Chinese artists got their first view of the West. Suddenly five centuries of Western art lay before them as a stylistic smorgasbord. Chinese artists could reinterpret it out of admiration or try...
I think it started since I was born, I always had a need to express myself, you know, as a human being, and I found that it felt right when I expressed myself through art, dance, through acting, so it kind of happened naturally.
It's an interesting and demanding art to do voices. I have been told so many times that I have a distinctive voice, but of course, I don't hear my own voice as others do, so I don't know.
It's up to the courage of the filmmakers to make art in cinema, not just business. John was rejected by studios, he borrowed money and did movies with his own money. You're either courageous or not. You have to find a way.
My first film was a movie shot in 1974. I was 18 on that movie set. It was called 'Big Bad Mama.' I turned 19 on the next movie I worked on, which was a black 'Blazing Saddles.' I worked in the art department. It was called 'Darktown Strutters.'
One of my inspirations, Harry Houdini, remains an icon of the art because he defied our primal fears. His demonstrations in the early 20th century, especially his escape from the Chinese water torture cell, represented triumph over suffocation, drown...
You got to fight for quality art and equality and all the things that we're fighting for, the things we believe in. Choice and preference and all those things that we support. We don't want to give up that fight. You got to keep doing it.
