I have realized that I hate going to the premieres of the movies that I'm in. Because I feel this tension after the movie is over that everyone feels obligated to say something nice to you. It's so unnatural and uncomfortable.
The thing is, when we do fight scenes, when we kill people in the movies, they bring in experts to choreograph it bit by bit, because you can't really kill someone, and you don't want to really hurt them.
I'm so grateful for what Disney gave me and the experiences that I got, but at the end of the day, I can do so much more than what I did on that channel and in those movies.
I'm not saying it isn't frustrating that my films haven't gotten a bigger release, but I'm really happy with them and if you just keep cranking and eventually, if you have a certain sensibility, some of your movies will hit and some just won't.
It's the movies that have really been running things in America ever since they were invented. They show you what to do, how to do it, when to do it, how to feel about it, and how to look how you feel about it.
In our culture, we get very much into shorthanding people. And I got shorthanded as That Guy: Jennifer Lopez, movies bombed, therefore he must be a sort of thoughtless dilettante, solipsistic consumer blahblahblah. It's hard to shake those sort of na...
I just want different parts; I wanna be that guy who people mention and they don't know who you're talking about until you say a few movies they've been in and then people are amazed that it's the same person.
When you make movies, you have to be preoccupied with the social problems, otherwise there is no point in making a movie. To have a story, you need a social problem. Not necessarily a problem, but something to get the idea for a story, otherwise ther...
It's a big part of what we do - we test our movies extensively. I'm always there myself. It's sometimes difficult to sit through, especially if it's a version of the movie that's not working particularly well.
The interesting thing about movies, it's not always - y'know, you have to have structure etc and all those things, but an audience responds, in many ways, we walk away and certain things stay in our heads that are memorable.
They're pretty extreme, but I loved the two 'Human Centipede' films from Tom Six. Those movies are fun because they're well-made. They're crazy and psychotic and perverted and twisted, but they're really well-made.
I think people assume I only do light things because of the movies that are like 'Hairspray' and 'John Tucker Must Die.' But I think it's all just based on material that I really like and that speaks to me.
In terms of the romantic kind of lead, I just never enjoy those movies very much. Maybe they'll come to interest me more as I get older. I doubt it, but maybe. Romantic comedies tend to be, for me, an oxymoron.
Well it kind of is project to project because as a writer I think you always write to some degree about things that you know or things that happened - but my favourite filmmakers, my favourite movies of theirs tend to be the personal movies.
I understand it all. I can write my own ticket for one or two movies. But if they're not the right ones, my ticket gets yanked. I understand that's how it works, and I'm okay with it.
De Niro was a hero of mine. And Sean Penn. But I've realized I can't operate at that level of intensity. That's okay for movies. On TV, when you live with horror day in and day out, you have to protect yourself.
I have very young looks, so it's easy for me to play high school, but I'm trying to stay away from high-school movies. As I get older, I'll try and broaden my talents.
Often we'd secretly like to do the very things we discipline ourselves against. Isn't that true? Well, here in the movies I can be as mean, as wicked as I want to - and all without hurting anybody.
Movies, I don't really get the bad guys. In theater, I get more bad guys. Both audiences and directors are more willing... to allow people to stretch. In movies, you do one thing, and then that's their reference.
I have made a number of movies that I have never seen. It's not a matter of ego. It's a matter of being disappointed. It's really a shame. It's just as difficult to make a movie that no one cares about as to make a hit.
You do something on television, and so many people see it that it follows you around. It's interesting. I've done a couple of things on TV, and probably more people saw me than in all the movies I've made.
