In Lithuania, I am known as a poet, and they don't care about my cinema. In Europe, they don't know my poetry; in Europe, I am a filmmaker. But here, in the United States, I am only a maverick!
My poetry is the most disappointing thing for me that I've ever written. When I say I can write everything, I don't say I can write everything well.
Traditional matter must be glorified, since it would be easier to listen to the re-creation of familiar stories than to quite new and unexpected things; the listeners, we must remember, needed poetry chiefly as the re-creation of tired hours.
The subject of Finnish poetry ought to have a special interest for the Japanese student, if only for the reason that Finnish poetry comes more closely in many respects to Japanese poetry than any other form of Western poetry.
Perhaps there is an idea among Japanese students that one general difference between Japanese and Western poetry is that the former cultivates short forms and the latter longer ones, gut this is only in part true.
It is true that short forms of poetry have been cultivated in the Far East more than in modern Europe; but in all European literature short forms of poetry are to be found - indeed quite as short as anything in Japanese.
When I am writing fiction, I believe I am much better organized, more methodical - one has to be when writing a novel. Writing poetry is a state of free float.
I don't think of poetry as a 'rational' activity but as an aural one. My poems usually begin with words or phrases which appeal more because of their sound than their meaning, and the movement and phrasing of a poem are very important to me.
The whole thing about making films in an organic film on location is that it's not all about characters, relationships and themes, it's also about place and the poetry of place. It's about the spirit of what you find, the accidents of what you stumbl...
I saw the Village as a place you could escape to, to express yourself. When I first went there, I wrote and performed poetry. Then I drew portraits for a couple of years. It took a while before I thought about picking up a guitar.
In 1971, when I was 29, I wrote my first volume of poetry. I am a poet, and I have published four books of my poems.
Poetry is the most subtle of the literary arts, and students grow more ingenious by the year at avoiding it. If they can nip around Milton, duck under Blake and collapse gratefully into the arms of Jane Austen, a lot of them will.
Those books of mine that are remunerative - I'm not talking about poetry here - take years to write, and I am never sure they'll be successful. So writing is a risk in more senses than one.
A very intimate sense of the expressiveness of outward things, which ponders, listens, penetrates, where the earlier, less developed consciousness passed lightly by, is an important element in the general temper of our modern poetry.
I wouldn't treat a romantic scene any differently than any other scene. I would really say the biggest preparation was chewing gum and breath mints! For a kissing scene, it's all about the breath mints!
Surrealism was necessary - essential, even - in the 1920s to bridge the gap between rationalism and the subconscious. It started something important. But by the early '60s, it had become petit-bourgeois; it was too intellectual and romantic, and had ...
I'm a fan of daytime drama; I totally get it. When we are doing scenes that are romantic or will get the audience riled up, I feel like I'm a fan in the room going, 'People are going to be so mad right now!'
The Romantic poets were the prototype ramblers, and I've often found myself following in their footsteps - although perhaps not all of their footsteps since a typical walk for Samuel T. Coleridge might last two days and cover 145km.
'Something Borrowed' is looking like a romantic comedy, but it's a comedy. It shines as a comedy; it's definitely not just about the romance. It's an honest depiction of the struggle between the characters. The comedy aspect will make it shine.
I think Bond the character is distinct: He's British, he has a certain code that he lives by, he's incorruptible... he's a classical hero, but he's also fallible. He has inner demons, inner conflicts, and he's a romantic.
Truthfully, I almost avoided 'While You Were Sleeping,' because I find those romantic comedies kind of precious, and they're full of lines that leave you feeling a little bewildered when you say them.
