Fantasy fans are incredibly loyal and passionate. Other people don't want to be seen as passionate about things, they want to be cool and laconic. The great thing about fantasy fans is they'll really get behind a show.
I've worked with a couple of these really cool, great actors like Ted Danson and Glenn Close. They all have their own presence when they walk into a room, and I was excited to see what Tom Selleck's 'space' was going to be like.
A lot of scripts that I was given I didn't feel were right for me, because I didn't feel anything for them - I didn't feel like I was going to change in life and start directing.
There is nothing anyone can do anyway. The public has no power. The government knows I'm not a criminal. The parole board knows I'm not a criminal. The judge knows I'm not a criminal.
Well, there are two kinds of happiness, grounded and ungrounded. Ungrounded happiness is cheesy and not based on reality. Grounded happiness is informed happiness based on the knowledge that the world sometimes sucks, but even then you have to believ...
I've thought about the idea of, 'Can happiness and creativity co-exist?' So much of what I've done, I think, has been based on being dissatisfied or incomplete or lonely. The answer is, 'There isn't an answer, necessarily.'
We've got people looking at our seamy side and our sad side a lot of the time because that's easier. It's much more difficult to make a film about happiness with lots of jokes in it.
I don't like Paris so much, and it's only eight shows. I mean, don't tell them that, of course. But everyone always thinks they're so important. And I'm sure they are. But to me, my happiness is more important.
There's always a sense of tragedy with icons. It happened to both the Princess of Wales and Diana Dors. A lot of people had grown up with them, and everybody loved them. Then, when they had at last found happiness, they were taken in the most dreadfu...
So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.
I don't get a sense of American pride. I just get a sense that everyone is here, battling the same thing - that around the world everybody's after the same thing, just some minor piece of happiness each day.
I don't have to take a trip around the world or be on a yacht in the Mediterranean to have happiness. I can find it in the little things, like looking out into my backyard and seeing deer in the fields.
There are people who fly to the height of stardom in a single day, and then there are people like me. I used to have this ridiculous idea that I absolutely had to be a big, big movie star. Now all I'm after is happiness.
Cervantes is the most important Spanish writer. But he is not the most representative of the Spanish. His irony, his sense of humor - they are too subtle to seem Spanish.
Now, Richard Pryor was unique. Many misunderstood his humor. He lit up the hallway, but they didn't understand his use of profanity. He didn't use it just to be using it; he used it in the context of his satire.
Funnily enough, I did a play called 'Jumpy' on the West End before I did 'Divergent,' and there was an essence of that character I played, called Cam, in Will. In the sense of his vulnerability, and... he had a sense of humor that comes out of advers...
In a way, a lot of my humor comes from presenting things that are dramatic or shocking and then people not having socially appropriate responses, having people denying the drama by failing to react to it, and that's a really classic form of humor.
I choose my actors well and get to know the quirks of their personalities - and, most of all, I share humor with them. Then I keep my eyes open when they rehearse and perform, because you never know where the next stimulation comes from.
You can find heroism everyday, like guys working terrible jobs because they've got to support their families. Or as far as humor, the things I see on the job, on the street, are far funnier than anything you'll ever see on TV.
One of my favorite things about 'Star Trek' wasn't just the overt banter but the humor in that show about the relationships between the main characters and their reactions to the situations they would face; there was a lot of comedy in that show with...
Magoo's appeal lies in our hostility toward an older generation. But he's not only nearsighted physically. His mind is selective of what it sees, too. That is where the humor, the satire lies, in the difference between what he thinks he sees and real...
