I've just started school again, and it was a bit strange to start off with; it took me three or four days to get used to it. My friends have been great, they've been treating me normally.
There are people all over the world who like to write fan letters in the voice of their pet: 'Hello, my name is Fifi and I'm a labrador and I think you're great. Paw paw!'
My parents are always a great litmus test. Based on the amount of shrieks my mother gives when we're out in public, her constant shock when somebody comes up and says something nice.
A friend of mine had this great theory about the Teletubbies, that it's preparing us for being mindless. And getting us ready for living in an underground world. That's why the scenery is so flat.
I often concentrate on the eyes and lips, they are great indicators of mood and feeling, and I find that I can project character into my portraits by bringing the viewer's attention to these areas.
What's great about having a sci-fi/fantasy show start on the web: that's a gigantic part of your demographic right there. It targets a significant part of your demographic when you deliver online.
It's a word called symbiotic, you send the messages and it comes back in return. Together, it's a wonderful thing, it's why television is so great and film can never reach.
But I'd play on everything from pop records to a lot of the glam stuff to rock stuff to classical stuff. I used to get called to do all those things, it was great.
As a songwriter, I was influenced by David Bowie - a great writer. A class above everybody in so many ways. Lennon and McCartney, of course. Class stuff. David Cousins was my favorite lyricist.
Touring with Yes was generally great fun, and I got on well with the rest of the guys, but we were like chalk and cheese in many respects. I was unique in the band as a card-carrying Conservative.
We happened to be in the studio next door and I think Noel Redding came around and said, 'Do you fancy having a sing on this?' We just went and did it and it was great.
People come up to me and say, 'You are such a great bad guy.' The fact is that the antagonist in a movie is usually the most fun to play. You can stretch the role and do so much with it.
When I was younger, I always was like, 'I want to be a serious actor.' I wasn't interested in doing a Disney show or a Nick show. But here I am, and it's great.
Hospitals are great places, and you can learn from them, but you don't necessarily need to go in anytime you get the sniffles. And maybe you shouldn't treat pregnancy as a disease.
I'm not very well known. However, the more well known you get, the more people are going to have expectations of you. Although that's great, it also imposes certain pressures.
Great actors are people who just meld into the part without calling attention to the fact that they are so-and-so doing this part. They may never become huge stars, but will always, in memory, stay respected actors.
I've always been extremely lucky in playing with great people who knew much more than I did. That's how I got from there to here.
I think movies are a director's medium in the end. Theater is the actor's medium. Theater is fast, and enjoyable, and truly rewarding. I believe in great live performance.
Read the editorial page of your local paper. It introduces you to opinion and can be terrifically provocative and perhaps a great motivating force for you to get involved in your community, regardless of your political ideology.
The great thing about 'Friday Night Lights,' unlike so many other shows and movies, is that it doesn't take the obvious beats to pull your heartstrings or manipulate you.
I think as long as people are around and can hear a record and hear people like Lester Young on a recording, there will always be a great inspiration for somebody to try to create jazz.
