Certainly, 3rd acts of any movie are hard. It's always hard to have something that will give you the promises from the beginning of the movie. That's true for all movies.
I did a movie where my character was obsessed with Bruce Lee, so I learned everything about Bruce Lee, read everything, watched his movies.
I'm surprised how many commercials and sitcoms and movies have a need for, 'We just need something to come by the camera that's really weird.' They call Doug Jones.
I find 'Edward Scissorhands' a very inspiring movie - it's one of the first movies about bullying, in a way - about being treated unkindly for being different.
I have always done my own stunts, and I have been in hundreds of fights in films, but I have never been in a fist fight outside the movies.
It was like in Samoa when they'd put up a movie screen on the beach and show movies and the locals would run behind the sheet to see where the people went. It was pretty grim.
If the movies that I'm going to make anyway go mainstream, that would be the coolest thing ever. But I have set up a plan that I've been working on for a long time.
I remember being a kid and sleeping over at my friend's house and staying up late and watching 'Nosferatu.' Vampire movies are supposed to be secret and bad. They should be rated R.
People wrestle sometimes making movies, and I think that conflict is a very essential thing. I think a lot of very happy productions have produced a lot of very banal movies.
I used to look at horror movies as being really real and it would totally freak me out and give me nightmares. Now I watch and think, 'whoa how'd they do that?'
I was watching 'Up In The Air' and I thought, 'Jesus, who's the old gray-haired guy?' And it was me. I never wear makeup for movies and now it's starting to show.
The ultimate thing is creating your own stuff and making projects for yourself. That's what Seth Rogen does. He's writing and producing a lot of the movies that he's the lead in.
I think what a lot of action movies lose these days, especially the ones that deal with fantasy, is you stop caring at some point because you've lost human scale.
And I believe that you never be limited in what you do, so I like to do movies, I like to do television.
A lot of times in movies, especially in sequels, the characters become caricatures and just sort of improv machines and joke machines, rather than people you can actually connect to.
I started making movies in the early '90s, a few years after I discovered 'the cinema' during a three month stay in Paris during which I watched 100s of films.
I want to do more movies. I feel like it's a totally different skill set than there is to theater. It's much more internal.
We've been remarkably lucky in that we've been free to make the movies we've wanted to make the way we've wanted to make them. They've all been made for a price.
If people are constantly reading about you, and you're overexposed, they've got no reason to go see your movies. Also, it's not pleasant or nice to have your privacy invaded.
The movies have got more corporate, they're making fewer movies in general, and those they are making are all $200-$300m tent-pole releases that eat up all the oxygen.
I've sold everything from fashion, make-up, couture magazines, radio, reality television, movies. There isn't a thing I haven't sold, including Tampax. You name it.
