As a designer, I think you just have to make sure you know what you want and stay true to it. You need to have conviction and really just want to make people think in regards to doing interesting things.
I've always dressed the same. I've never made a fashion mistake. I've always worn utilitarian. I started my collection because I wanted certain specific things, but before that it was vintage and classic Brooks Brothers.
Seersucker and khaki suits are the key to looking put-together in the summer. I also wear shorts year-round. And I would never say never, but I don't wear sandals. With shorts, it's wing tips and tennis socks.
I know I'm supposed to say ageing doesn't bother me, then suddenly you're like, 'Yeah, I care about it, I really worry about it. I'm getting old. I'm old!'
These are the animals that are the reason why you don't see old animals in the wild. You don't see sick animals in the wild. You don't see lame animals in the wild, and its all because of the predator: the lion, the tiger, the leopard, all the cats.
I really like birds. Everyone always wants me to say that I can't stand to go near them, just like they want Janet Leigh to confess that she can't bear to take a shower. Well, I'm sorry to disappoint you.
The reality is that I spent years in the factories in Italy when I first set up Jimmy Choo. Today, everyone who has a job at Jimmy Choo, I've done their job - right down to the cleaner.
There have been moments in my career when I've had to be tough and I've had to step up to the plate - but usually that's because a man has underestimated me. But other than that, I wouldn't say I'm a tough person.
In the case of 'News Radio,' I loved that show. I loved the actors and the producers, but I was longing very much for something more to sink my teeth into me. I think it was an incredibly smart show, but I found myself on the peripheral of a lot of i...
Haiti itself was also photographed, some of the streets, some of the mountains, rivers, streams, etc. were photographed before talking with me about how I felt about Haiti. Then the camera went to our voodoo temple and saw a serious ceremony, a real ...
I've come to understand my role. On some level, I provide the context for them to shine. I also know my role is the steward of the songs, and the center point, the artist that the stuff all revolves around. But I really try to honor that.
Man, as a form, bears within him the eternal principle of being, and by economic movement along his endless path his form is also transformed, just as everything that lives in nature was transformed in him.
As a child I prayed that my calling be revealed - but not with expectation and not with a destination. I became an artist because I didn't know what to do and I thought it was really fun to make things.
I've always fought for what I believe in. I used to get made fun of for dancing, and I would argue back, or fight the kids, or do whatever I had to do to shut them up. I have that in me.
What people are feeling is the similarity in what I do and how I'm capable of breaking a new artist into a competitive field. People can't wrap their head around the fact that Gaga did not do that on her own. She didn't. There was a Laurieann Gibson.
A choreographer deals with the movement that you create, and with a creative director it's about the story, the stage, the lighting, the costuming, executing someone's idea, choosing how far to go or how little to go, and blending it so that you feel...
'The Dance Scene' is just a real look at what it takes. You see the award shows. You see the videos and you never realize what goes on behind the scenes. The reality and the preparation. The motivation I have to give each dancer on that set.
Sure, I've had some bad times, but everybody does. But people don't get to talk about them like I do, unless they do to a therapist. People don't get to put them in the paper like I do.
When I entered the market, I was rejected because the elite say that you have to sell things at a certain price point. My position was that the consumer is smarter than that. Who cares if it's $200, not $2,000?
It's one of my strongest dance pieces - having just done Play Without Words which was veering away from a lot of dance - I thought it would be nice to go back to something with almost the most dance I'd done.
My father was a Party member and he was a pretty high rank military officer under the colonel, junior colonel, I don't know the term. He was a total Stalinist. A bit with a streak of anti-Semitism and very shrewd man, a very kind of nervous man.
