I was involved in the color correction and the digital color correction. In an odd way, you end up making a film many times-the DVD, the archival record of a high-definition master, and so on.
Film, as far as I'm concerned, is my area of artistic endeavor, so I never think of a movie that gets released as being all done-it's just when they took it away from you.
I had done a lot of rock 'n' roll photography when I was in college. I was one of many photographers who worked for The Doors, Jefferson Airplane, and all of these rock 'n' roll bands.
If we really wish to put an end to our ongoing international and social problems we must eventually declare Earth and all of its resources as the common heritage of all the world's people.
Today we have access to highly advanced technologies. But our social and economic system has not kept up with our technological capabilities that could easily create a world of abundance, free of servitude and debt.
One thing that changed when I moved upstate was that I became interested in different materials. I started making the stone benches because I was seeing rocks.
I wanted to support things that are helpful to people and maybe bash what I think is dangerous. So I switched from being everybody to being myself.
IT'S NO FUN WATCHING PEOPLE WOUND THEMSELVES SO THAT THEY CAN HOLE UP, NURSE THEMSELVES BACK TO HEALTH, AND REPEAT THE CYCLE. THEY DON'T KNOW WHAT ELSE TO DO.
MORE THAN ONCE I'VE AWAKENED WITH TEARS RUNNING DOWN MY CHEEKS. I HAVE HAD TO THINK WHETHER I WAS CRYING OR WHETHER IT IS INVOLUNTARY, LIKE DROOLING.
We're sort of putting a slightly different spin on Steve Rogers. He's a guy that wants to serve his country, but he's not a flag-waver. We're reinterpreting, sort of, what the comic book version of Steve Rogers was.
Dancing is bigger than the physical body. Think bigger than that. When you extend your arm, it doesn't stop at the end of your fingers, because you're dancing bigger than that. You're dancing spirit.
I don't think of myself as a leader. I am, but I don't think of myself that way. I'm not trying to belittle what I do, but I think of myself as a dancer first. I'll always be a dancer.
If you have an idea, you have to move on it, to make a gesture. Drawing is an immediate way of articulating that idea - of making a gesture that is both physical and intellectual.
If I try to articulate every little detail in a drawing, it would be like missing the forest for the trees, so it's just about getting the outline of the forest.
The satirical direction I have chosen is an indication of my disappointment in man, which is the opposite way of saying that I have high expectations for the human race.
I have a really simple wardrobe. I wear a low-scoop tee every day with a tux or leather jacket and tux pants or black jeans. That's pretty much it.
I love audio books, and when I paint I'm always listening to a book. I find that my imagination really takes flight in the painting process when I'm listening to audio books.
One moves more slowly in heels. Walking fast is neither sexy nor engaging. Nobody notices the people who race around. If you're walking in heels, you've got time. It's much more attractive.
I feel empowered the fact that I can look the way that I do on stage and in photos - I can look that way any time I want. And I feel like it's important message to other women that they can do it, too.
And then I think they asked me to work on Wish You Were Here, which was the next album coming up. And I didn't do anything for a long time. I had other projects, and I didn't get around to doing anything for a bit.
Overall when you work in fashion, you're always in a rush. You're always a little late, always in a hurry. Every single moment's important, so you never have enough time to do what you want to do. It's ridiculous.
