For contemporary fashion, I'm a huge fan of so many of the people out there. I think Azzedine Alaia holds up through three generations of very specific, beautiful design. I think Jean Paul Gaultier also is very interesting with a long span.
I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you hav...
I never was interested in being part of the fashion world - I just wanted to design shoes. I didn't even know 'Vogue' existed when I was growing up. 'Vogue,' what is that?'
The most important relationship you have in life is the one you have with yourself. And then after that, I'd say once you have that, it may be hard work, but you can actually design your life.
With the Larry Bertlemann portrait, I started with a photograph that I could use for it. I built the drawing's identity to serve as a graphic identity. After a number of sketches, I went into my own abstract vernacular of drawn lines and shapes to cr...
I've wanted to design golf courses ever since I was a kid. I suppose it comes from the way I've played the game. To find the proper way to play any hole, I've always begun by asking myself what the architect has tried to do with it.
My vision is the ability to design clothes for a man who wants to create his own style and doesn't want to dress like he's in uniform, to look like the guy in the ad, or to feel like he has to put it together that way.
I'm not really a fashion designer. I just love clothes. I've never been to design school. I can't sketch. I can't cut patterns and things. I can shorten things. I can make a dress out of a scarf.
Snohetta promotes a more democratic workplace atmosphere than most other architectural offices. This may merely reflect prevalent employment practices in Scandinavia, but Snohetta places a stronger emphasis on group participation in the design proces...
But I'm blessed to work with great people. I collaborate with brilliant stylists both here and in Paris. I work with a great design team. I really allow everyone to bring their ideas. I almost rely on them to inspire me.
Marc Jacobs is full of creative people and Louis Vuitton is again a name on the door, a name that has existed for many years but I'm a collaborator there and I bring in other people, other artists and I work with a great creative design team.
I'm constantly thinking about design, shapes, patterns and colors, so I just want to be more of a blank canvas. But there is a comfort in knowing what you're going to wear, and that probably comes from Catholic school, where I wore a uniform for 10 y...
Design is a way of life, a point of view. It involves the whole complex of visual communications: talent, creative ability, manual skill, and technical knowledge. Aesthetics and economics, technology and psychology are intrinsically related to the pr...
Some people said, 'Oh you're going to become a fine artist now and do exhibits and stuff.' But I have no desire to do that. I really like design and I'm going to stay with it.
Economists treat economics as if it is a pure science divorced from the facts of life. The result of this false accountancy is a willful confusion under cover of which industry wreaks its havoc scot-free and ignores the environmental cost.
I have been skiing since I was in school, but I'm not great. I am never going to break an Olympic record, I just want to go down the hills, on red or blue runs, but not... black.
That to me was the most poignant part of Diana's wedding; as she was walking up the aisle and her eyes were going left to right, looking at people and smiling in the way that Diana did - and that diamond tiara glittering like mad. It was great.
Some men look great unshaven; others just look like they forgot to shave. Beards and mustaches can be really distinctive if you go for an earthy, rock-and-roll look like the Kings of Leon or the Killers.
I'm not going to talk about Picasso. I have done my duty to those memories. I have had a great career as an artist myself, you know. I'm not here just because I've spent time with Picasso.
I think there's a great homogenizing force that software imposes on people and limits the way they think about what's possible on the computer. Of course, it's also a great liberating force that makes possible, you know, publishing and so forth, and ...
From the time that I was a child, I loved interacting with people. I would go around door-to-door and sell candies and gift-wrapping paper, and it was a great way to interact with people and communicate with people.
