There was still no likelihood that we could make a living from dance. We were doing it because we loved it... We realized how full we felt; we were surrounded by music and dancing and joy.
...since I realized that he (Picasso) lived in a self-enclosed world and that his solitude was therefore total, I wanted to explore my own solitude.
Is there a recipe for making beauty? The schools give recipes, but they do not beget works that make people exclaim: " How beautiful that is!
All the masters have those weak points that are called masterpieces; and besides, they do them as crowd pleasers -- to prove that they have the know-how.
I am not pushy. You want it, you buy it. Most people hit the customer over the head. But if you're too self-important, it's kind of repellent.
I have a few customers who have two or three hundred bags. When you see a lady carrying a little dog bag or a little cat bag or an egg, it makes you happy.
I have cellulite - and had it even when I was at my absolute thinnest. I'm never not going to have cellulite. People need to just accept that it's there and maybe dress accordingly or use body makeup to cope with it.
Dancers, many dancers today can do so much technically. You can give them steps that are complicated, then more complicated, pyrotechnical - and they can execute these steps to perfection. But to do simple steps with a pure classical line, that is tr...
I am different because I have better schooling, better understanding of the line, gesture, how feet working, positions. They taught me modern things... and I wanted to give what I had: my schooling.
I had a couple of million dollars' worth of... stock once. And now it's not worth much more than wallpaper. I guess I just wasn't born to be rich.
Oh yes, technique has definitely advanced. But you never advance without losing something en passant, and you lose it because you're paying so much attention to the new thing.
It's hardly even noticeable that so many artists, designers and architects live here. It isn't reflected in the cityscape or in the museums. Many of the artists, for example, exhibit around the world, just not in Berlin.
Like a lot of young lads who dreamt about being a singer, I was a massive fan of Robbie Williams and couldn't believe my luck when, not only did I get to meet my idol, but sing with him, too.
I don't think couture will die. But it should have no pretension that it will conquer the world. It's not something that will disappear because all you need is a thread and a needle to start making something couture.
Historical costumes from the 18th and 19th centuries look so complicated, but when you see the patterns, it's very systematic. I've always been impressed by how the patterns economize the fabric.
All day long, I'm creative, and the second I get a little tired of any given medium, I just shut that area down and go to the next room. I just go do something else.
Painting is a blind man's profession. He paints not what he sees, but what he feels, what he tells himself about what he has seen.
People say, 'Oh, to be the daughter of Picasso!' But it's not as extravagant as it seems. He was very special, very vibrant, but he was my father. I didn't have another.
My mother used to dress me in quite good-taste clothes, and I really wanted things that were sparkly and spangly and trashy and nasty. I don't know if I ever chose fashion; it was just there in me.
When I was a child my mother said to me, 'If you become a soldier, you'll be a general. If you become a monk, you'll be the pope.' Instead I became a painter and wound up as Picasso.
Asymmetric balance creates greater reader interest. Pleasure derived from observing asymmetrical arrangements lies partly in overcoming resistances, which, consciously or not, the spectator adjusts in his own mind.
