You know it's my job to visualize, what is literal or audible, so I designed all the characters, and I designed what they do and how they should do it and so on.
That is the key of this collection, being yourself. Don't be into trends. Don't make fashion own you, but you decide what you are, what you want to express by the way you dress and the way to live.
For me, the summer will be pure gray - mother-of-pearl gray, very pale gray. To me, this is the big statement for summer. Then we have light blue, light turquoise, lots of pink.
My clothes are built to show off the woman who wears them. I like them to be simple... to move well, to move with the times and a little ahead of the times.
I began demonstrating against serious culture. In hindsight, the actual course of events has been very humiliating for me, because no one picked up on the intellectual critique I made.
The whole drive of western culture, the part of it which is serious, is towards an extreme objectification. It's carried to the point where the human subject is treated almost as if it's dirt in the works of a watch.
To be honest, my friends weren't really as into making films as I was. But I convinced them all to make some zombie films with me.
In the past, the U.S. was the centre of the world, where everything was happening. I think my stories have always sought to question this, maybe even criticise it.
Many people are taking 2D games and making them into 3D games by recreating the characters in polygons. But the gameplay's still the same, and that's not what they should be doing.
There are so many games where you fight aliens or zombies, and they have very high-fidelity graphics, but they don't ask the question of why the events are happening.
Nobody understood The Reoccurring Dream, but after September 11, when we were coerced to do a national duty and go out and shop, surely people could begin to see what I was getting at.
One glass of water doesn't equal another. One may just appease the thirst, the other you may enjoy thoroughly. In Japan, people know about this difference.
That's the fun thing about fashion: it changes. One day, we're into short, the next we're into full length for day, or half short and long.
I would buy Barbies and take them apart and then remake their looks. I used them for hairstyling. It was a whole process. I had a lot of dolls - like 150.
I worked 10 years as a toy designer before I started my career as a fashion designer. It's something I just fell into and really liked.
The production team's first meeting took place at my house. I had ideas and a color scheme in mind, how I wanted the movie to look, because that has to be a real collaboration.
I'm really not that weird. I'm a combination of a lot of different things. Maybe it's just easier to make me look weird than another model who is specifically Caucasian.
I always thought models had to fit a certain mould. I never thought I had what it takes. I'm too small and my look's pretty weird.
I like things that make you grit your teeth. I like tucking my chin in and sort of leading into the storm. I like that feeling. I like it a lot.
As actors, we're all encouraged to feel that each job is the last job. They plant some little electrode in your head at an early stage and you think, 'Be grateful, be grateful, be grateful.'
A piece of wall can be visually disintegrated from the whole into a separate triangle by plunging a diagonal of light from edge to edge on the wall; that is, side to floor, for instance.
