Seeing is more than a physiological phenomenon... We see not only with our eyes but with all that we are and all that our culture is. The artist is a professional see-er.
That frame of mind that you need to make fine pictures of a very wonderful subject, you cannot do it by not being lost yourself.
In the arts the way in which an idea is rendered, and the manner in which it is expressed, is much more important than the idea itself.
Earth is abundant with plentiful resources. Our practice of rationing resources through monetary control is no longer relevant and is counter-productive to our survival.
I really like doing the laundry, because I succeed at it. But I loathe putting it away. It is already clean.
The epiphany for me was that I wasn't a writer, and I had to do something with these texts. I put them in the streets as posters.
I moved to New York in the 1970s and started writing when I was at the Whitney Museum Independent Study Program.
One of the glories and terrors of working in public is that you do see if your output means anything to anyone.
SPIT ALL OVER SOMEONE WITH A MOUTHFUL OF MILK IF YOU WANT TO FIND OUT SOMETHING ABOUT THEIR PERSONALITY FAST.
Dancers use their bodies in extraordinary ways, so we are chronically pre-arthritic, because of how we use our muscles and our bones.
Whenever you finish an artwork and the viewer comes and views it, at that moment you've given up control.
It's not a sign of creativity to have sixty-five ideas for one problem. It's just a waste of energy.
I wish there was a painter who could paint as well as Ted Williams could hit.
I always like to incorporate one or two chic accessories that contrast with the more gritty look of my daily uniform: a leather jacket and jeans.
When you do men's wear, it's less about thinking outside the box than about pushing the walls of the box outward. Men want to be evolutionary, not revolutionary.
I really love to drive. It's really hard for me to be a passenger, even though I get to look around a little bit more, but I've gotten really good at driving and looking.
For a long time I was looking for my perfect equilibrium, my mojo. And now I think I'm getting there: I've found my customer, my silhouette, my cut.
I came to terms with not fitting in a long time ago. I never really fitted in. I don't want to fit in. And now people are buying into that.
I think you have to be in the right place at the right time. And understand that and know when it is your time and how you react to it and how you respond to it.
I like Stella McCartney, Chloe, Alexander McQueen, Aaron Featherstone, normal Chanel if I can ever afford it, I'd be wearing that all the time! I like to admire from afar.
I think every market has lot of things in common, and at the same time, every market has lot of different things.
