The story of 'Highway' is completely about travel. It is about the fascination of travel to an extent that I don't want to even reach the destination and also being away from society gives you a certain view of the society, so that was the intention ...
Spirituality is deeply personal. Yet, society has to face the fact that certain faiths celebrate spirituality through an overt expression of inner convictions.
Because I select my players from a feeling that comes to me when I am with them, a certain sympathy you might call it, or a vibration that exists between us that convinces me they are right.
You know, I think there are certain words like 'illegitimate' that should not be used to describe a person. And certainly, we have come far enough in our technology that our language can evolve, because it has an impact.
We have this condition where digital technology is becoming increasingly smaller and distributed in the environment. In a certain sense, this is the first time ever we can describe a city in real time.
In making certain things easier for people, technology has actually demotivated people from using their brains. We have all these devices that keep us connected, and yet we're more disconnected than ever before. Why is that?
For a long time, I would write without music, because I thought it was distracting until I appreciated that it actually unlocks a certain unconscious productivity vault in my mind.
Certain kinds of people will always have an issue with my music. But that's fine; it's OK. I don't want to be the McDonald's of music. I don't want to not turn anyone off. If you were everybody's cup of tea, you'd probably be boring.
There's a certain groove you pick that makes the music flow, and when you have it it's in your pocket. It's the feeling behind the rhythm... to me, the hardest thing to strive for is that feeling, behind the groove.
Everyone's talking about how no one is buying records any more, but to me it's quite logical. In the 1990s, music was so hardcore-marketed to a certain group of people that I think a lot of kids felt taken advantage of.
In the U.K., classical music is composed by individuals and written down. Indian music is based on certain sequences called ragas. When I perform live, 95% of the music is improvised: it never sounds the same twice.
Believe me, were I ever to accomplish anything, it would be in music, which has always attracted me; and, without overestimating myself, I am conscious of possessing a certain creative faculty.
I take certain steps to make sure I'm relevant artistically. I always have new music and a reason to be on the road. I'm not just playing 'Get By' over and over. I have 12 albums.
When you write, it's making a certain kind of music in your head. There's a rhythm to it, a pulse, and on the whole, I'm writing to that drum rather than the psychological process.
Sometimes, when you're on the streets, certain music inspires you, and then you have a vision. But, at the end of the day, it's a synthesis of visions, so you have to think, as a director, of a scene, or how to deliver a line, or how do this visually...
I don't like to define my music. To me, music is pure emotion. It's language that can communicate certain emotions and the rhythms cuts across genders, cultures and nationalities. All you need to do is close your eyes and feel those emotions.
I've always thought of acting as more of an exercise in empathy, which is not to be confused with sympathy. You're trying to get inside a certain emotional reality or motivational reality and try to figure out what that's about so you can represent i...
Some persons have lived manly or womanly lives, and they lack but one thing - open confession of the Lord Jesus Christ. Some men think that they must come to him in a certain way - that they must be stirred by emotion or something like that.
I have a certain pool of subject matter that I like to write about, things that interest me: politics, religion, ecology, and relationships between men and women. And that's usually what I focus on.
I'm fishing for men with a certain kind of bait, and the bait that I am offering is not a candy; it's a very specific thing that I'm offering, which is a deep gospel and a deep conversion.
When I sit down to talk to men's magazines, there's a certain character that I play. She's not fully fleshed out - she doesn't have her own name - but she shows up to do men's-magazine interviews.
